Cinematic Articulation in Motion Graphics

"This book develops a critical and theoretical approach to the semiotics of motion pictures as they are applied to a broader range of constructions than traditional commercial narrative productions. This interdisciplinary approach begins with the problems posed by motion perception to develop a...

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Bibliographic Details
Main Author: Betancourt, Michael 1970- (Author)
Format: Book
Language:English
Published: New York Routledge 2022
Series:Routledge studies in media theory and practice
Subjects:
Online Access:Click Here to View Status and Holdings.
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020 # # |a 9781032037004  |q hardback 
020 # # |a 9781032037011  |q paperback 
040 # # |a DLC  |b eng  |d UiTM  |e rda 
041 0 # |a eng 
090 0 0 |a PN1995  |b .B377 2022 
100 1 # |a Betancourt, Michael  |d 1970-  |e author 
245 1 0 |a Cinematic Articulation in Motion Graphics  |c Michael Betancourt 
264 # 1 |a New York  |b Routledge  |c 2022 
264 # 4 |c ©2022 
300 # # |a xvi, 211 pages  |b illustrations  |c 24 cm 
336 # # |a text  |2 rdacontent 
337 # # |a unmediated  |2 rdamedia 
338 # # |a volume  |2 rdacarrier 
490 0 # |a Routledge studies in media theory and practice 
504 # # |a Includes bibliographical references and index 
520 # # |a "This book develops a critical and theoretical approach to the semiotics of motion pictures as they are applied to a broader range of constructions than traditional commercial narrative productions. This interdisciplinary approach begins with the problems posed by motion perception to develop a model of cinematic interpretation that includes both narrative and non-narrative types of productions. Contrasting traditional theatrical projection and varieties of new media, this book integrates analyses of title sequences, music videos, and visual effects with discussions on classic and avant-garde films. It further explores the intersection between formative audio-visual cues identified by viewers and how viewers' desires direct engagement with the motion picture to present a framework for understanding cinematic articulation. This new theoretical model incorporates much of what was neglected and gives greater prominence to formerly critical marginal productions by showing the fundamental connections that link all moving imagery and text, whether it tells a story or not. This insightful work will appeal to students and academics in film and media studies"  |c Provided by publisher 
526 0 # |a KPSK KPP  |b KLIBF  |5 KLIBF 
650 # 0 |a Motion pictures  |x Semiotics 
650 # 0 |a Animation (Cinematography) 
650 # 0 |a Graphic design (Typography) 
856 4 0 |z Click Here to View Status and Holdings.  |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=984355