Film Editing Emotion, Performance and Story

"Film editing is part of the long process of formulating, acquiring and presenting the images and sounds that make a film. The film editor makes decisions about the arrangement of the visual and aural material that they receive in the cutting room, not for their own satisfaction but to stimulat...

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Bibliographic Details
Main Author: Lambden, Julie (Author)
Format: Book
Language:English
Published: London New York Bloomsbury Academic 2022
©2022
Subjects:
Online Access:Click Here to View Status and Holdings.
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020 # # |a 9781474254908  |q paperback 
020 # # |a 9781501379109  |q hardcover 
040 # # |a DLC  |b eng  |d UiTM  |e rda 
041 0 # |a eng 
090 0 0 |a TR899  |b .L363 2022 
100 1 # |a Lambden, Julie  |e author 
245 1 0 |a Film Editing  |b Emotion, Performance and Story  |c Julie Lambden 
264 # 1 |a London  |a New York  |b Bloomsbury Academic  |c 2022 
264 # 1 |c ©2022 
300 # # |a ix, 222 pages  |b illustrations (chiefly color)  |c 28 cm 
336 # # |a text  |2 rdacontent 
337 # # |a unmediated  |2 rdamedia 
338 # # |a volume  |2 rdacarrier 
504 # # |a Includes bibliographical references and index 
520 # # |a "Film editing is part of the long process of formulating, acquiring and presenting the images and sounds that make a film. The film editor makes decisions about the arrangement of the visual and aural material that they receive in the cutting room, not for their own satisfaction but to stimulate the participation of the cinema and television viewer. Three interrelated aspects, Emotion, Performance and Story, influence this decision-making. Combining history, practice, study and theory, Film Editing: Emotion, Performance, Story investigates why certain editorial decisions can encourage the emotional and narrative engagement of the audience. With full-color examples from features, short films and commercials, this book introduces a range of different editing styles and techniques to provide editors with a context on which to build their practice. Julie Lambden takes a discursive approach exploring the many options open to the editor whether this is the fine point at which to cut or the exact structuring of scenes within a whole film. Examples are closely analysed and discussed using frame grabs, graphics and plans. The book opens discussions on our psychological and cognitive behavior, and asks why certain picture and sound configurations can affect us emotionally. Interspersed with chapters on the fundamental tools of editing are studies of three editing strategies. Each is a method of persuasion that the editor can use to elicit a response in the audience, whether that is sympathy for a character or belief in the fictional world"--  |c Provided by publisher 
526 0 # |a FiTA KLIBF 2022  |b FiTA KLIBF 2022  |5 Faculty of Film, Theater and Animation 
650 # 0 |a Motion pictures  |x Editing 
650 # 0 |a Cinematography 
856 4 0 |z Click Here to View Status and Holdings.  |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=981712 
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