Performing the Digital Performativity and Performance Studies in Digital Cultures
"How is performativity shaped by digital technologies--and how do performative practices reflect and alter techno-social formations? 'Performing the Digital' explores, maps and theorizes the conditions and effects of performativity in digital cultures. Bringing together scholars from...
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| Other Authors: | , , |
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| Format: | Book |
| Language: | English |
| Published: |
Bielefeld
Deutsche Nationalbibliothek Germany
2017
©2017 |
| Series: | Digital society (Bielefeld, Germany)
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| Subjects: | |
| Online Access: | Click Here to View Status and Holdings. |
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|---|---|---|---|
| 001 | wils-973522 | ||
| 005 | 2021616122859 | ||
| 008 | t2017 GW a## ##000 #deng|D | ||
| 020 | # | # | |a 9783837633559 |q paperback |
| 020 | # | # | |a 3837633551 |q paperback |
| 040 | # | # | |a UXO |b eng |d UiTM |e rda |
| 041 | 0 | # | |a eng |
| 090 | 0 | 0 | |a HM851 |b .P4756 2017 |
| 245 | 0 | 0 | |a Performing the Digital |b Performativity and Performance Studies in Digital Cultures |c MARTINA LEEKER, IMANUEL SCHIPPER, TIMON BEYES (EDS) |
| 264 | # | 1 | |a Bielefeld |b Deutsche Nationalbibliothek Germany |c 2017 |
| 264 | # | 1 | |c ©2017 |
| 300 | # | # | |a 300 pages |b illustrations |c 23 cm |
| 336 | # | # | |a text |2 rdacontent |
| 337 | # | # | |a unmediated |2 rdamedia |
| 338 | # | # | |a volume |2 rdacarrier |
| 490 | 1 | # | |a Digital society |
| 500 | # | # | |a "This book grew out of the symposium on "Performing the Digital", held in January 2015 at the Digital Cultures Research Lab (DCRL) of Leuphana University Lüneburg."--Page 16. |
| 504 | # | # | |a Includes bibliographical references |
| 520 | # | # | |a "How is performativity shaped by digital technologies--and how do performative practices reflect and alter techno-social formations? 'Performing the Digital' explores, maps and theorizes the conditions and effects of performativity in digital cultures. Bringing together scholars from performance studies, media theory, sociology and organization studies as well as practitioners of performance, the contributions engage with the implications of digital media and its networked infrastructures for modulations of affect and the body, for performing cities, protest, organizations and markets, and for the performativity of critique."--Page [4] of cover. |
| 526 | 0 | # | |a CCI723 |b CAFF710 |5 FF |
| 526 | 0 | # | |a Performance as Cultural Industry |b Master of Cultural and Creative Industries |5 Faculty of Film, Theatre and Animation |
| 650 | # | 0 | |a Digital media |v Congresses |x Social aspects |
| 650 | # | 0 | |a Digital communications |v Congresses |
| 650 | # | 0 | |a Computer networks |v Congresses |
| 650 | # | 0 | |a Digital electronics |v Congresses |
| 650 | # | 0 | |a Information technology |v Congresses |
| 650 | # | 0 | |a Performance technology |v Congresses |
| 700 | 1 | # | |a Beyes, Timon |d 1973- |e editor |
| 700 | 1 | # | |a Leeker, Martina |e editor |
| 700 | 1 | # | |a Schipper, Imanuel |e editor |
| 830 | # | 0 | |a Digital society (Bielefeld, Germany) |
| 856 | 4 | 0 | |z Click Here to View Status and Holdings. |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=973522 |
DIGITAL CULTURES AGE OF THE INTELLECT