CONCEPTUAL ART Theory, Myth, and Practice
Conceptual art consisted of a loose collection of related practices that emerged worldwide during the 1960s and 1970s. This collection of essays offers readers a wealth of new research on the earliest international exhibitions of Conceptual art; new interpretations of some of its most important prac...
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| Format: | Book |
| Language: | English |
| Published: |
New York
CAMBRIDGE UNIVERSITY PRESS
2004
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| Edition: | Print book : English |
| Subjects: | |
| Online Access: | Click Here to View Status and Holdings. |
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| 090 | 0 | 0 | |a N6768.5 |b .C66 2004 |
| 245 | 0 | 0 | |a CONCEPTUAL ART |b Theory, Myth, and Practice |c edited by Michael Corris |
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| 264 | # | 1 | |a New York |b CAMBRIDGE UNIVERSITY PRESS |c 2004 |
| 264 | # | 4 | |c ©2004 |
| 300 | # | # | |a xiv, 365 pages |b illustrations |c 26 cm |
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| 520 | # | # | |a Conceptual art consisted of a loose collection of related practices that emerged worldwide during the 1960s and 1970s. This collection of essays offers readers a wealth of new research on the earliest international exhibitions of Conceptual art; new interpretations of some of its most important practitioners; and a reconsideration of the relationship between Conceptual art and the intellectual and social context of the 1960s and 1970s. Of special note are the contributions that focus on the explicitly social and political aspirations of this influential avant-garde artistic practice. |
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| 650 | # | # | |a Conceptual art |z Australia |
| 700 | 1 | # | |a Corris, Michael |e editor |
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Essays on art and language