The International Photojournalism Industry Cultural Production and the making and selling of News Pictures
How are events turned into news pictures that define them for the audience? How do events become commodified into pictures that both capture them and reiterate the values of the agencies that sell them? This book looks at every stage of the production of news photographs as they move to and from the...
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| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York
Routledge
2019
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| Series: | Routledge Advances in Internationalizing Media Studies
24 |
| Subjects: | |
| Online Access: | Click Here to View Status and Holdings. |
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| 008 | t2019 NYU ae# ##001 #dENG#D | ||
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| 041 | 0 | # | |a eng |
| 090 | 0 | 0 | |a PN4731 |b .I43 2019 |
| 100 | 1 | # | |a Ilan, Jonathan |e author |
| 245 | 1 | 4 | |a The International Photojournalism Industry |b Cultural Production and the making and selling of News Pictures |c Jonathan Ilan |
| 264 | # | 1 | |a New York |b Routledge |c 2019 |
| 264 | # | 4 | |c ©2019 |
| 300 | # | # | |a xii, 235 pages |b illustrations |c 23 cm. |
| 336 | # | # | |a text |2 rdacontent |
| 337 | # | # | |a unmediated |2 rdamedia |
| 338 | # | # | |a volume |2 rdacarrier |
| 490 | 0 | # | |a Routledge Advances in Internationalizing Media Studies |v 24 |
| 504 | # | # | |a Include bibliographical references and index |
| 520 | # | # | |a How are events turned into news pictures that define them for the audience? How do events become commodified into pictures that both capture them and reiterate the values of the agencies that sell them? This book looks at every stage of the production of news photographs as they move to and from the ground and are sold around the world. Based on extensive fieldwork at a leading international news agency that includes participant observation with photographers in the field, at the agency's local and global picture desks in Israel, Singapore, and the UK, in-depth interviews with pictures professionals, and observations and in-depth interviews at The Guardian's picture desk in London, the findings in this book point to a wide cultural production infrastructure hidden from - and yet also nurtured and thus very much determined by - the consumer's eye. |
| 526 | 0 | # | |b AD247 |5 AD |
| 526 | 0 | # | |a Photo Media Creative |b Bachelor in Creative Photomedia (Honours) |5 Faculty of Art and Design |
| 650 | # | 0 | |a Journalism |
| 650 | # | 0 | |a Photography |
| 830 | # | 0 | |a Routledge Advances in Internationalizing Media Studies |v 24 |
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