Audio Production and Critical Listening Technical Ear Training
This text develops your critical and expert listening skills, enabling you to listen to audio like an award-winning engineer. The interactive 'ear training' software practice modules give you experience identifying various types of signal processes and manipulation - EQ, dynamics, reverb,...
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| Main Authors: | , |
|---|---|
| Format: | Book |
| Published: |
New York
Routledge, Taylor & Francis Group
2017
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| Edition: | Print book : English : Second edition |
| Series: | Audio engineering society presents
|
| Subjects: | |
| Online Access: | Click Here to View Status and Holdings. |
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|---|---|---|---|
| 001 | wils-955229 | ||
| 005 | 202002113357 | ||
| 008 | t2017 -US a#f# s # ENG#D | ||
| 020 | # | # | |a 9781138201422 |q paperback |
| 040 | # | # | |a OCLC |b eng |c OCLC |d UiTM |e rda |
| 090 | 0 | 0 | |a TA365 |b .C67 2017 |
| 100 | 0 | # | |a Corey, Jason |e author |
| 245 | 1 | 0 | |a Audio Production and Critical Listening |b Technical Ear Training |c Jason Corey, David H. Benson, Technical Ear Training Software |
| 250 | # | # | |a Print book : English : Second edition |
| 264 | # | 1 | |a New York |b Routledge, Taylor & Francis Group |c 2017 |
| 264 | # | 4 | |c ©2017 |
| 300 | # | # | |a xiv, 159 pages |b illustrations, music |c 26 cm |
| 336 | # | # | |a text |2 rdacontent |
| 337 | # | # | |a unmediated |2 rdamedia |
| 338 | # | # | |a volume |2 rdacarrier |
| 490 | 1 | # | |a Audio engineering society presents |
| 500 | # | # | |a "A Focal Press book"--Cover |
| 504 | # | # | |a Includes bibliographical references and index |
| 505 | 0 | # | |a Listening -- Tonal balance and equalization -- Spatial attributes and reverberation -- Dynamic range control -- Distortion and noise -- Amplitude envelope and audio edit points -- Analysis of sound. |
| 520 | # | # | |a This text develops your critical and expert listening skills, enabling you to listen to audio like an award-winning engineer. The interactive 'ear training' software practice modules give you experience identifying various types of signal processes and manipulation - EQ, dynamics, reverb, distortion, delay, etc. |
| 526 | 0 | # | |a Muzik |b Music education |5 Faculty of Music |
| 546 | # | # | |a In English |
| 650 | # | # | |a Auditory perception |
| 650 | # | # | |a Listening |
| 650 | # | # | |a Ear training |
| 650 | # | # | |a Sound |x Recording and reproducing |
| 650 | # | # | |a Music |x Computer network resources |
| 650 | # | # | |a Interactive multimedia |
| 700 | 0 | # | |a David H. Benson |e author |
| 830 | # | 0 | |a Audio engineering society presents |
| 856 | 4 | 0 | |z Click Here to View Status and Holdings. |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=955229 |
| 964 | # | # | |c BOK |d 01 |
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Audio Production and Critical Listening Technical Ear Training