Distributed Creativity

Creative practice in music takes place in a distributed and interactive manner embracing the activities of composers, performers and improvisers-despite the sharp division of labour between these roles that traditional concert culture often presents. Two distinctive features of contemporary music ar...

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Bibliographic Details
Other Authors: Clarke, Eric F (Editor), Doffman, Mark (Editor)
Format: Musical Score Book Chapter
Language:English
Published: New York, NY Oxford University Press 2018
©2017
Series:Studies in musical performances as creative practice v. 2
Subjects:
Online Access:Click Here to View Status and Holdings.
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245 1 0 |a Distributed Creativity  |c edited by Eric F Clarke, Mark Doffman 
246 3 # |a COLLABORATION AND IMPROVISATION IN CONTEMPORARY MUSIC 
264 # 1 |a New York, NY  |b Oxford University Press  |c 2018 
264 # 1 |c ©2017 
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490 1 # |a Studies in musical performances as creative practice  |v v. 2 
504 # # |a Includes bibliographical references and index 
520 # # |a Creative practice in music takes place in a distributed and interactive manner embracing the activities of composers, performers and improvisers-despite the sharp division of labour between these roles that traditional concert culture often presents. Two distinctive features of contemporary music are the greater incorporation of improvisation and the development of integrated and collaborative working practices between composers and performers. By blurring the distinction between composition and performance, improvisation and collaboration provide important perspectives on the distributed creative processes that play a central role in much contemporary concert music. This volume explores how collaboration and improvisation enable and constrain these creative processes. 
526 0 # |a Music Performance  |b performance research, improvisation, distributed creativity  |5 Fakulti Muzik 
650 # # |a Composition 
650 # # |a Improvisation 
700 1 # |a Clarke, Eric F  |e editor 
700 1 # |a Doffman, Mark  |e editor 
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