PLAYING WITH HISTORY The Historical Approach to Musical Performance

Why do we feel the need to perform music in a historically informed style? Is this need related to wider cultural concerns? In this 2002 study, John Butt sums up debates on the nature of the early music movement and historically informed performance, calling upon a seemingly inexhaustible fund of id...

Full description

Saved in:
Bibliographic Details
Main Author: Butt, John (Author)
Format: Book
Language:English
Published: Cambridge Cambridge University Press 2005
Series:Musical performance and reception.
Subjects:
Online Access:Click Here to View Status and Holdings.
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000nam a2200000#i 4501
001 wils-939636
005 201939144743
008 t20022005-UK #g# ##001 #ceng#D
020 # # |a 9780521013581  |q paperback 
040 # # |a UiTM  |b eng  |c UiTM  |e rda 
041 0 # |a eng 
090 0 0 |a ML457  |b .B88 2005 
100 1 # |a Butt, John  |e author 
245 1 0 |a PLAYING WITH HISTORY  |b The Historical Approach to Musical Performance  |c John Butt 
264 # 1 |a Cambridge  |b Cambridge University Press  |c 2005 
264 # 4 |c ©2002 
300 # # |a xvi, 265 pages  |c 24 cm 
336 # # |a text  |2 rdacontent 
337 # # |a unmediated  |2 rdamedia 
338 # # |a volume  |2 rdacarrier 
490 0 # |a Musical performance and reception. 
504 # # |a Includes bibliographical references and index 
520 # # |a Why do we feel the need to perform music in a historically informed style? Is this need related to wider cultural concerns? In this 2002 study, John Butt sums up debates on the nature of the early music movement and historically informed performance, calling upon a seemingly inexhaustible fund of ideas gleaned from historical musicology, analytic philosophy, literary theory, historiography and theories of modernism and postmodernism. He develops the critical views of both supporters and detractors of the movement, while claiming ultimately that it has more intellectual and artistic potential than its detractors may have assumed. He also asks whether the phenomenon of historically informed performance reflects changes in the culture of western music and how it, in turn, may have influenced that culture, particularly in regard to such issues as the status of the composer, the work, intentionality and notation. 
526 0 # |a MU222  |5 MU 
526 0 # |a Bachelor Of Music Performance (Hons.)  |5 Fakulti Muzik 
546 # # |a In English 
650 # 0 |a Performance practice (Music) 
650 # 0 |a Music  |x History and criticism 
856 4 0 |z Click Here to View Status and Holdings.  |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=939636 
964 # # |c BOK  |d 01 
998 # # |a 00264#1a002.8.2||00264#1b002.8.4||00300##a003.4.1||00300##b003.6.1||00300##c003.5.1||00520##a007.2||00520##b007.2||00546##a006.11||