Cosmopolitan Intimacies Malay Film Music of the Independence Era

The golden age of Malay film in the 1950s and 1960s was the product of a musical and cultural cosmopolitanism in the service of a nation-making process based on ideas of Malay ethnonationalism, initially fluid, increasingly homogenised over time. The commercial films of the period, and in particular...

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Bibliographic Details
Main Author: Adil Johan (Author)
Format: Book
Language:English
Published: Singapore NUS Press 2018
Edition:National government publication : English
Subjects:
Online Access:Click Here to View Status and Holdings.
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041 0 # |a eng 
090 0 0 |a M176  |b .A355 2018 
100 0 # |a Adil Johan  |e author 
245 1 0 |a Cosmopolitan Intimacies  |b Malay Film Music of the Independence Era  |c Adil Johan 
250 # # |a National government publication : English 
264 # 1 |a Singapore  |b NUS Press  |c 2018 
264 # 4 |c ©2018 
300 # # |a xxvii, 387 pages  |c 23 cm 
336 # # |a text  |2 rdacontent 
337 # # |a unmediated  |2 rdamedia 
338 # # |a volume  |2 rdacarrier 
504 # # |a Includes bibliographical references and index 
505 0 # |a Half title page; Full title page; Copyright page; Contents; Figures; Abbreviations and Acronyms; Note to the Reader; Preface; Chapter 1 -- Introduction; Chapter 2 -- Decolonising Motifs; Chapter 3 -- Nationalising Tradition or Traditionalising Nation; Chapter 4 -- Technologies of Classiness and Narratives of Class; Chapter 5 -- Disquieting Denouement; Chapter 6 -- Indiepretations of Zubir Said and P. Ramlee; Chapter 7 -- Conclusion; Appendices; Glossary of non-English terms; Bibliography; Filmography; Picture Credits; Index 
520 # # |a The golden age of Malay film in the 1950s and 1960s was the product of a musical and cultural cosmopolitanism in the service of a nation-making process based on ideas of Malay ethnonationalism, initially fluid, increasingly homogenised over time. The commercial films of the period, and in particular their film music, from national cultural icons P. Ramlee and Zubir Said, remain important reference points for Malaysia and Singapore to this day. This is the first in-depth study of the film music of the period. It brings together ethnomusicological and cultural studies perspectives.Written in an engaging manner, thoroughly illustrated and incorporating musical scores, the book will appeal to dedicated film fans, musicians, composers and film-makers interested in Southeast Asia and the Malay world. But equally, the conceptual framework will be of interest to a broad range of scholars of Southeast Asia, as it brings together ideas of cosmopolitanism and cultural intimacy to narrate a history of nation-making in the region. 
526 0 # |a MU222  |5 MU 
526 0 # |a Bachelor Of Music Performance (Hons.)  |5 Fakulti Muzik 
526 0 # |a KLIBF Kuala Lumpur 2022  |b KLIBF Kuala Lumpur 2022  |5 FiTA 
526 0 # |a Kuala Lumpur International Book Fair 2022  |b Kuala Lumpur International Book Fair 2022  |5 Fakulti Filem, Teater & Animasi 
546 # # |a In English 
650 # 0 |a Motion picture music  |v 20th century  |x History and criticism  |x Social aspects  |z Singapore  |z Malaysia 
650 # 0 |a Malays (Asian people)  |x Music  |x History and criticism  |z Malaysia  |z Singapore 
856 4 0 |z Click Here to View Status and Holdings.  |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=939634 
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