The Psychology of Music Performance Anxiety

This is the first rigorous exposition of music performance anxiety. In this groundbreaking work, Dianna Kenny draws on a range of disciplines including psychology, philosophy, phenomenology, psychoanalysis, and performance theory in order to explain the many facets of music performance anxiety that...

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Bibliographic Details
Main Author: Kenny, Dianna (Author)
Format: Book
Language:English
Published: Oxford Oxford University Press 2011
Edition:English : First edition
Subjects:
Online Access:Click Here to View Status and Holdings.
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020 # # |a 9780199586141  |q paperback 
040 # # |a UiTM  |e rda 
041 0 # |a eng 
090 0 0 |a ML3830  |b .K46 2011 
100 1 # |a Kenny, Dianna  |e author 
245 1 4 |a The Psychology of Music Performance Anxiety  |c Dianna Kenny 
250 # # |a English : First edition 
264 # 1 |a Oxford  |b Oxford University Press  |c 2011 
264 # 4 |c ©2011 
300 # # |a xv, 365 pages  |b illustrations  |c 24 cm 
336 # # |a text  |2 rdacontent 
337 # # |a unmediated  |2 rdamedia 
338 # # |a volume  |2 rdacarrier 
504 # # |a Includes bibliographical references and index 
505 0 # |a Phenomenology of music performance anxiety -- Conceptual framework -- The anxiety disorders -- Defining music performance anxiety -- Epidemiology of music performance anxiety -- Theoretical contributions to understanding music performance anxiety -- Treatment -- Severe music performance anxiety : phenomenology and theorizing -- Common themes in the lives of performing musicians -- Prevention and pedagogy. 
520 # # |a This is the first rigorous exposition of music performance anxiety. In this groundbreaking work, Dianna Kenny draws on a range of disciplines including psychology, philosophy, phenomenology, psychoanalysis, and performance theory in order to explain the many facets of music performance anxiety that have emerged in the empirical and clinical literature. She identifies some unifying guiding principles that will enhance our understanding of the condition and guide researchers and clinicians in the development of effective treatments. The book provides a detailed conceptual framework for the study of music performance anxiety and a review of the empirical and clinical research on the anxiety disorders. In addition it presents a thorough analysis of the concepts related to music performance anxiety, its epidemiology, and theories and therapies that may be useful in understanding and treating the condition. The voices of musicians are clearly heard throughout the book and in the final two chapters, we hear directly from musicians about how they experience it and what they do to manage it. This book will lay a firm foundation for theorizing music performance anxiety and be of enormous value interest to those in the fields of music and music education, clinical psychology, and performance studies. 
526 0 # |a MU220  |b MUF401/451/501/551/601/651/671  |5 MU 
526 0 # |a SARJANA MUDA PENDIDIKAN MUZIK (KEPUJIAN)  |b Forum I - VI / VII  |5 FAKULTI MUZIK 
546 # # |a In English 
650 # 0 |a Music  |x Performance  |x Psychological aspects 
650 # 0 |a Performance Anxiety  |x psychology 
856 4 0 |z Click Here to View Status and Holdings.  |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=936690 
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