PRODUCTION SOUND MIXING THE ART AND CRAFT OF SOUND RECORDING FOR THE MOVING IMAGE

The latest hot camera is pretty irrelevant if one can't understand what's happening on screen. The key to any narrative is in the dialogue and voice over, but if this is unintelligible or difficult to hear, viewers will soon lose interest. With real world applications and a narrative to ke...

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Bibliographic Details
Main Author: Murphy, John J. (Author)
Format: Manuscript Book
Language:English
Published: New York, NY Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc. 2016
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Online Access:Click Here to View Status and Holdings.
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020 # # |a 9781501307089  |q paperback 
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041 0 # |a eng 
090 0 0 |a TR897  |b .M84 2016 
100 0 # |a Murphy, John J.  |e author 
245 0 0 |a PRODUCTION SOUND MIXING  |b THE ART AND CRAFT OF SOUND RECORDING FOR THE MOVING IMAGE  |c John J. Murphy. 
264 # 1 |a New York, NY  |b Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc.  |c 2016 
264 # 4 |c ©2016 
300 # # |a ix, 223 pages :  |b illustrations  |c 24 cm 
336 # # |a text  |2 rdacontent 
337 # # |a unmediated  |2 rdamedia 
338 # # |a volume  |2 rdacarrier 
500 # # |a Includes index. 
520 # # |a The latest hot camera is pretty irrelevant if one can't understand what's happening on screen. The key to any narrative is in the dialogue and voice over, but if this is unintelligible or difficult to hear, viewers will soon lose interest. With real world applications and a narrative to keep the reader's interest, Production Sound Mixing is the indispensable guide for film and video audio recording. Written by veteran sound mixer John J. Murphy, the book offers a step by step collaborative journey through the basic physics of sound, concluding with a practical guide of the latest techniques and equipment available to all who are interested in the best audio for their projects. Structured to mimic a 14-week semester, each chapter begins with an audio problem to be solved and ends with a solution drawn from information gleaned from past chapters. Suggested movie scenes that demonstrate the relevant audio techniques will also be included. Equally applicable to studio and location recording, the book is oriented toward commonly accessible environments such as conference rooms, hallways, beaches, car interiors, bathrooms, and so on. The intent is to allow the student to make the best of a location no matter how challenging it might be. Most importantly, this book will make one aware of the potential of sound on screen, for it is truly 50% of the viewing experience. 
650 # 0 |a Sound in motion pictures 
650 # 0 |a Sound  |x Recording and reproduction 
856 4 0 |z Click Here to View Status and Holdings.  |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=931598 
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