COSTUME IN PERFORMANCE Materiality, Culture, and the Body

"This beautifully illustrated book conveys the centrality of costume to live performance. Finding associations between contemporary practices and historical manifestations, costume is explored in six thematic chapters, examining the transformative ritual of...

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Bibliographic Details
Main Author: Barbieri, Donatella (Author)
Format: Book
Language:English
Published: London New York, NY Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc 2017
Subjects:
Online Access:Click Here to View Status and Holdings.
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020 # # |a 9780857855107  |q paperback 
040 # # |a UiTM  |e rda 
041 0 # |a eng 
090 0 0 |a PN2067  |b .B23 2017 
100 1 # |a Barbieri, Donatella  |e author 
245 1 0 |a COSTUME IN PERFORMANCE  |b Materiality, Culture, and the Body  |c Donatella Barbieri ; with a contribution from Melissa Trimingham 
264 # 1 |a London  |a New York, NY  |b Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc  |c 2017 
300 # # |a xxv, 238 pages :  |b illustrations  |c 26 cm 
336 # # |a text  |2 rdacontent 
337 # # |a unmediated  |2 rdamedia 
338 # # |a volume  |2 rdacarrier 
504 # # |a Includes bibliographical references and indexes 
520 # # |a "This beautifully illustrated book conveys the centrality of costume to live performance. Finding associations between contemporary practices and historical manifestations, costume is explored in six thematic chapters, examining the transformative ritual of costuming; choruses as reflective of society; the grotesque, transgressive costume; the female sublime as emancipation; costume as sculptural art in motion; and the here-and-now as history. Viewing the material costume as a crucial aspect in the preparation, presentation and reception of live performance, the book brings together costumed performances through history. These range from ancient Greece to modern experimental productions, from medieval theatre to modernist dance, from the 'fashion plays' to contemporary Shakespeare, marking developments in both culture and performance. Revealing the relationship between dress, the body and human existence, and acknowledging a global as well as an Anglo and Eurocentric perspective, this book shows costume's ability to cross both geographical and disciplinary borders. Through it, we come to question the extent to which the material costume actually co-authors the performance itself, speaking of embodied histories, states of being and never-before imagined futures, which come to life in the temporary space of the performance. With a contribution by Melissa Trimingham, University of Kent, UK"--|cProvided by publisher. 
650 # # |a Costume  |x History 
856 4 0 |z Click Here to View Status and Holdings.  |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=929900 
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