Music, Sound, and Architecture in Islam

Tracing the connections between music making and built space in both historical and contemporary times, Music, Sound, and Architecture in Islam brings together domains of intellectual reflection that have rarely been in dialogue to promote a greater understanding of the centrality of sound productio...

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Bibliographic Details
Other Authors: Frishkopf, Michael (Editor), Spinetti, Federico (Editor), Asani, Ali S. (foreword)
Format: Book
Language:English
Published: Austin University of Texas Press, 2018
Edition:First edition
Subjects:
Online Access:Click Here to View Status and Holdings.
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245 0 0 |a Music, Sound, and Architecture in Islam  |c Edited by Michael Frishkopf and Federico Spinetti, Foreword by Ali S. Asani 
250 # # |a First edition 
264 # 1 |a Austin  |b University of Texas Press,  |c 2018 
264 # 4 |c ©2018 
300 # # |a xix, 440 pages, 16 pages of plates  |b illustrations (come color)  |c 24 cm 
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338 # # |a volume  |2 rdacarrier 
504 # # |a Includes bibliographical references (pages 385-421) and index 
520 # # |a Tracing the connections between music making and built space in both historical and contemporary times, Music, Sound, and Architecture in Islam brings together domains of intellectual reflection that have rarely been in dialogue to promote a greater understanding of the centrality of sound production in constructed environments in Muslim religious and cultural expression. Representing the fields of ethnomusicology, anthropology, art history, architecture, history of architecture, religious studies, and Islamic studies, the volume's contributors consider sonic performances ranging from poetry recitation to art, folk, popular, and ritual musics-as well as religious expressions that are not usually labeled as "music" from an Islamic perspective-in relation to monumental, vernacular, ephemeral, and landscape architectures; interior design; decoration and furniture; urban planning; and geography. Underscoring the intimate relationship between traditional Muslim sonic performances, such as the recitation of the Qur'an or devotional songs, and conventional Muslim architectural spaces, from mosques and Sufi shrines to historic aristocratic villas, gardens, and gymnasiums, the book reveals Islam as an ideal site for investigating the relationship between sound and architecture, which in turn proves to be an innovative and significant angle from which to explore Muslim cultures. 
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700 1 # |a Frishkopf, Michael  |e editor 
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700 1 # |a Asani, Ali S.  |e foreword 
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