Mixing Music
This series, Perspectives On Music Production, collects detailed and experientially informed considerations of record production from a multitude of perspectives, by authors working in a wide array of academic, creative, and professional contexts. We solicit the perspectives of scholars of every dis...
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| Other Authors: | , |
|---|---|
| Format: | Musical Score Book |
| Language: | English |
| Published: |
New York
Taylor & Francis
2017
©2017 |
| Series: | Perspectives on music production
|
| Subjects: | |
| Online Access: | Click Here to View Status and Holdings. |
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| 008 | 181010t2017 -USpp|#g# # | # eng#D | ||
| 020 | # | # | |a 9781138182042 |q hardback |
| 040 | # | # | |a OCLC |d UiTM |e rda |
| 041 | 0 | # | |a eng |
| 090 | 0 | 0 | |a ML3790 |b .M59 2017 |
| 245 | 0 | 0 | |a Mixing Music |c Edited by Russ Hepworth-Sawyer and Jay Hodgson |
| 264 | # | 1 | |a New York |b Taylor & Francis |c 2017 |
| 264 | # | 1 | |c ©2017 |
| 300 | # | # | |a xx, 286 pages |b illustrations |c 26 cm |
| 336 | # | # | |a text |2 rdacontent |
| 337 | # | # | |a unmediated |2 rdamedia |
| 338 | # | # | |a volume |2 rdacarrier |
| 490 | 0 | # | |a Perspectives on music production |
| 504 | # | # | |a Includes bibliographical references and index |
| 505 | 0 | # | |a Exploring of the mix: historical milestones and expanded perspectives -- How to listen, what to hear -- Proxemic interaction in popular music recordings -- Top down mixing -- a 12-step mixing programme -- Mixing in the box -- Audio editing in/and mixing -- Pre-production in mixing: mixing in pre-production -- Between speakers: discussions on mixing : mixing for markets : mixing in/and modern electronic music production -- Groove and the grid: mixing contemporary hip hop -- The mix is, the mix is not -- Mixing metaphors: aesthetics, mediation and the rhetoric of sound mixing -- Mix as auditory response -- An intelligent systems approach to mixing multitrack audio -- How can academic practice inform mix-craft? -- The dreaded mix sign-off: handing over to mastering -- Conclusion: mixing as part-history, part-present and part-future |
| 520 | # | # | |a This series, Perspectives On Music Production, collects detailed and experientially informed considerations of record production from a multitude of perspectives, by authors working in a wide array of academic, creative, and professional contexts. We solicit the perspectives of scholars of every disciplinary stripe, alongside recordists and recording musicians themselves, to provide a fully comprehensive analytic point-of-view on each component stage of record production. Each volume in the series thus focuses directly on a distinct aesthetic "moment" in a record's production, from pre-production through recording (audio engineering), mixing and mastering to marketing and promotions. This first volume in the series, titled Mixing Music, focuses directly on the mixing process. |
| 650 | # | 0 | |a Popular music |x Production and direction |
| 650 | # | 0 | |a Sound recordings |x Production and direction |
| 700 | 1 | # | |a Hepworth-Sawyer, Russ |e editor |
| 700 | 1 | # | |a Hodgson, Jay |e editor |
| 856 | 4 | 0 | |z Click Here to View Status and Holdings. |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=913791 |
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