Identity in animation a journey into self, difference, culture and the body

This study uncovers the meaning behind some of the most influential characters in the history of animation and questions their unique sense of who they are and how they are formed. Jane Batkin explores how identity politics shape the inner psychology of the character and their exterior motivation, o...

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Bibliographic Details
Main Author: Batkin, Jane
Format: Book
Language:English
Published: Abingdon, Oxon New York Routledge 2017
Subjects:
Online Access:Click Here to View Status and Holdings.
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020 # # |a 9781138849778  |q hardcover 
040 # # |a UiTM  |e rda 
041 0 # |h eng 
090 0 0 |a PN1995.9.I34  |b B38 2017 
100 1 # |a Batkin, Jane 
245 1 0 |a Identity in animation  |b a journey into self, difference, culture and the body  |c Jane Batkin 
264 # 1 |a Abingdon, Oxon  |a New York  |b Routledge  |c 2017 
300 # # |a ix, 182 pages ;  |c 24 cm 
336 # # |a text  |2 rdacontent 
337 # # |a unmediated  |2 rdamedia 
338 # # |a volume  |2 rdacarrier 
504 # # |a Includes bibliographical references, filmography and index 
520 # # |a This study uncovers the meaning behind some of the most influential characters in the history of animation and questions their unique sense of who they are and how they are formed. Jane Batkin explores how identity politics shape the inner psychology of the character and their exterior motivation, often buoyed along by their questioning of 'place' and 'belonging' and driven by issues of self, difference, gender and the body. Through this, Identity in Animation illustrates and questions the construction of stereotypes as well as unconventional representations within American, European and Eastern animation. It does so with examples such as the strong gender tropes of Japan's Hayao Miyazaki, the strange relationships created by Australian director Adam Elliot and Nick Park's depiction of Britishness. In addition, this book discusses Betty Boop's sexuality and ultimate repression, Warner Bros. anarchic, self-aware characters, and Disney's fascinating representation of self and society. It is an ideal book for students and researchers of animation studies, as well as any media and film studies students taking modules on animation as part of their course 
650 # # |a Identity (Psychology) in motion pictures 
650 # # |a Animated films  |x History and criticism 
650 # # |a Cartoon characters  |x History 
856 4 0 |z Click Here to View Status and Holdings.  |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=831964 
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