Directing the Story Professional Storytelling and Storyboarding Techniques for Live Action and Animation
Francis Glebas, a top Disney storyboard artist, teaches artists a structural approach to clearly and dramatically presenting visual stories. They will learn classic visual storytelling techniques such as conveying meaning with images and directing the viewer's eye. Glebas also teaches how to sp...
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| Main Author: | |
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| Format: | Book |
| Language: | English |
| Published: |
Burlington, MA
Focal Press
2009
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| Subjects: | |
| Online Access: | Click Here to View Status and Holdings. |
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|---|---|---|---|
| 001 | wils-763857 | ||
| 005 | 2018618112833 | ||
| 008 | 180718s2009 XXU a## ##001 ##eng#D | ||
| 020 | # | # | |a 9780240810768 |q paperback |
| 020 | # | # | |a 0240810767 |q paperback |
| 020 | # | # | |a 9781136138690 |q hardback |
| 020 | # | # | |a 1136138692 |q hardback |
| 040 | # | # | |a DLC |d UiTM |e rda |
| 090 | 0 | 0 | |a PN1995.9.P7 |b G448 2009 |
| 100 | 1 | # | |a Glebas, Francis |e author |
| 245 | 1 | 0 | |a Directing the Story |b Professional Storytelling and Storyboarding Techniques for Live Action and Animation |c Francis Glebas |
| 264 | # | 1 | |a Burlington, MA |b Focal Press |c 2009 |
| 264 | # | 4 | |c ©2009 |
| 300 | # | # | |a xi, 346 pages |b illustrations |c 22 x 28 cm |
| 336 | # | # | |a text |2 rdacontent |
| 337 | # | # | |a unmediated |2 rdamedia |
| 338 | # | # | |a volume |2 rdacarrier |
| 504 | # | # | |a Includes bibliographical references and index |
| 520 | # | # | |a Francis Glebas, a top Disney storyboard artist, teaches artists a structural approach to clearly and dramatically presenting visual stories. They will learn classic visual storytelling techniques such as conveying meaning with images and directing the viewer's eye. Glebas also teaches how to spot potential problems before they cost time and money, and he offers creative solutions on how to solve them. * Uses the classic story of '1001 Arabian Nights' to show how to storyboard stories that will engage an audience's attention and emotions. * With 1001 drawings in graphic novel format plus teaching concepts and commentary. * All of the storyboarding examples have a real project context rather to engage a very visual audience on their own terms and teaches through demonstration. |
| 526 | 0 | # | |a NMC151 |b MC111 |n MC151 |5 MC |
| 526 | 0 | # | |a Narrative for Animation Games |b Diploma in New Media and Contentpreneurship |n arrative for Animation Games |5 Faculty of Communication and Media Studies |
| 526 | 0 | # | |a VCM 704 |b AD771 |5 AD |
| 526 | 0 | # | |a Animation and Gaming Design |b Sarjana Sejarah Seni dan Pengurusan Kebudayaan |5 Faculty of Art and Design |
| 650 | # | 0 | |a Motion Pictures |x Production And Direction |
| 650 | # | 0 | |a Storyboards |x Production And Direction |
| 856 | 4 | 0 | |z Click Here to View Status and Holdings. |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=763857 |
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The art of the storyboard story-boarding for film, TV and animation