Performance theory

Few have had quite as much impact in both the academy and in the world of theatre production as Richard Schechner. For more than four decades his work has challenged conventional definitions of theatre, ritual and performance. When this seminal collection first appeared, Schechner's approach wa...

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Bibliographic Details
Main Author: Schechner, Richard 1934- (Author)
Format: Unknown
Language:English
Published: New York Routledge 2003
London
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Online Access:Click Here to View Status and Holdings.
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100 1 # |a Schechner, Richard  |d 1934-  |e author 
245 1 0 |a Performance theory  |c Richard Schechner 
260 # # |a New York 
264 # 1 |a London  |b Routledge  |c 2003 
300 # # |a xix, 407 pages  |b illustrations  |c 20 cm 
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504 # # |a Includes bibliographical references (p. [368]-382) and index 
520 # # |a Few have had quite as much impact in both the academy and in the world of theatre production as Richard Schechner. For more than four decades his work has challenged conventional definitions of theatre, ritual and performance. When this seminal collection first appeared, Schechner's approach was not only novel, it was revolutionary: drama is not just something that occurs on stage, but something that happens in everyday life, full of meaning, and on many different levels. Within these pages he examines the connections between Western and non-Western cultures, theatre and dance, anthropology, ritual, performance in everyday life, rites of passage, play, psychotherapy and shamanism. 
650 # 0 |a Theater 
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