The memory of time contemporary photographs from the National Gallery of Art

Photography's remarkable ability to represent the past in the present is frequently invoked as one of the medium's essential characteristics. Yet, as many contemporary photographers acknowledge, its relationship to the past is by no means straightforward. Organized thematically, the exhibi...

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Bibliographic Details
Main Authors: Greenough, Sarah 1951- (Author), Nelson, Andrea (Author)
Format: Book
Language:English
Published: Washington New York Thames & Hudson National Gallery of Art 2015
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Online Access:Click Here to View Status and Holdings.
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020 # # |a 9780500544495  |q hardback 
040 # # |a DLC  |b eng  |d UiTM  |e rda 
041 0 # |a eng 
090 0 0 |a TR6.U62  |b W376 2015 
110 2 # |a National Gallery of Art (U.S.)  |e issuing body 
245 1 4 |a The memory of time  |b contemporary photographs from the National Gallery of Art  |c Sarah Greenough [et. al.] 
264 # 1 |a Washington  |a New York  |b Thames & Hudson  |b National Gallery of Art  |c 2015 
300 # # |a ix, 162 pages  |b illustrations (some colour)  |c 28 cm. 
336 # # |a text  |2 rdacontent 
337 # # |a unmediated  |2 rdamedia 
338 # # |a volume  |2 rdacarrier 
500 # # |a "Exhibition dates May 3-September 13, 2015." 
504 # # |a Includes bibliographical references (pages 155-159) and index 
520 # # |a Photography's remarkable ability to represent the past in the present is frequently invoked as one of the medium's essential characteristics. Yet, as many contemporary photographers acknowledge, its relationship to the past is by no means straightforward. Organized thematically, the exhibition The Memory of Time: Contemporary Photographs at the National Gallery of Art explores the work of contemporary artists who investigate the richness and complexity of photography's relationship to time, memory, and history. From a shared fascination with photography's past, including early photographic techniques, to creating works which give form to the literal passage of time and the fleeting evidence of cultural change, many contemporary artists are creating works that evocatively engage with how the past has been shaped by photography. The medium has been instrumental in both preserving and creating memory from its inception, and its ability to record the existence of ruins in contemporary society strikingly calls into question what is remembered or forgotten by history. This exhibition and catalog will examine how photographs not only evoke memories of place through the unfolding of different moments of time but also create powerful visual histories of our relationship with the land. 130 four-color images 
610 1 0 |a National Gallery of Art (U.S.) 
650 # 0 |a Photography  |v Exhibitions  |x History  |y 21st century 
650 # 0 |a Time in art  |v Exhibitions 
650 # 0 |a History in art  |v Exhibitions 
650 # 0 |a Photographers  |v Exhibitions 
650 # 0 |a Photographs  |v Exhibitions  |z Washington (D.C.) 
700 1 # |a Greenough, Sarah  |d 1951-  |e author 
700 1 # |a Nelson, Andrea  |e author 
710 2 # |a National Gallery of Art (U.S.)  |e issuing body 
856 4 0 |z Click Here to View Status and Holdings.  |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=555550 
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