No more rules graphic design and postmodernism

No more rules graphic design and postmodernism

The last thirty-five years have seen profound upheavals in the field of graphic communication. One by one, the old certainties about the techniques and purposes of graphic design have been questioned and torn apart. Jettisoning rules that no longer seemed relevant in the postmodern era, designers an...

Full description

Saved in:
Bibliographic Details
Main Author: Poynor, Rick (Author)
Format: Book
Language:English
Published: London Laurence King Publishing LTD 2003
Subjects:
Graphic arts > History > 20th century
Postmodernism
Online Access:Click Here to View Status and Holdings.
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000nam#a2200000#i 4501
001 wils-555293
005 202123102837
008 s2003 ENK a## ##001 #aeng#D
020 # # |a 9781780671031  |q paperback 
040 # # |a DLC  |b eng  |d UiTM  |e rda 
041 0 # |a eng 
090 0 0 |a NC998.45.P67  |b P69 2003 
100 1 # |a Poynor, Rick  |e author 
245 1 0 |a No more rules  |b graphic design and postmodernism  |c Rick Poynor 
264 # 1 |a London  |b Laurence King Publishing LTD  |c 2003 
300 # # |a 192 pages  |b illustrations (some colour)  |c 28 cm 
336 # # |a text  |2 rdacontent 
337 # # |a unmediated  |2 rdamedia 
338 # # |a volume  |2 rdacarrier 
500 # # |a "First published in Great Britain in 2003 by Laurence King Publishing Ltd, London" 
504 # # |a Includes bibliographical references and index 
520 # # |a The last thirty-five years have seen profound upheavals in the field of graphic communication. One by one, the old certainties about the techniques and purposes of graphic design have been questioned and torn apart. Jettisoning rules that no longer seemed relevant in the postmodern era, designers and typographers have reassessed their roles and forged experimental new approaches. No More Rules is the first wide-ranging critical survey to attempt to make sense of these international developments. Each of the book's key themes-origins, deconstruction, appropriation, technology, authorship, and opposition-is illuminated by stunning examples of work that has changed the way in which designers and their audiences think about graphic communication. 
650 # 0 |a Graphic arts  |x History  |y 20th century 
650 # 0 |a Postmodernism 
856 4 0 |z Click Here to View Status and Holdings.  |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=555293 
998 # # |a 00264#1a002.8.2||00264#1b002.8.4||00300##a003.4.1||00300##b003.6.1||00300##c003.5.1||00500##a002.17.2||00520##a007.2||00520##b007.2|| 

Similar Items