Photography after Frank

Photography after Frank

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Bibliographic Details
Main Author: Gefter, Philip (Author)
Format: Book
Language:English
Published: New York Aperture [distributor] 2009
©2009
Edition:1st edition
Subjects:
Frank, Robert, > 1924-
Photographers > Biography > 20th century
Photographic criticism
Photography > History > 20th century
Online Access:Click Here to View Status and Holdings.
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Table of Contents:
  • Why MoMA is giving its largest solo photography exhibition ever to Lee Friedlander
  • Travels with Walker, Robert, and Andy. On Stephen Shore
  • Southern exposures: past and present through the lens of William Christenberry
  • John Szarkowski, curator of photography, dies at eighty-one
  • Imagist's eye. On Henry Wessel
  • Beauty is not a four-letter word. On Richard Misrach
  • Tableau inside your town hall. On Paul Shambroom
  • Bernd Becher, photographer of German industrial landscape, dies
  • Keeping it real: photo-realism
  • Portraits of American paradises, mostly lost. On Joel Sternfeld
  • Keeping his eye on the horizon (line). On Sze Tsung Leong
  • Photographic icons: fact, fiction or metaphor?
  • Picnic that never was. On Beate Gutschow
  • As unpretty as a picture. On Eric Fischl
  • Moments in time, yet somehow in motion. On JoAnn Verburg
  • Robert Polidori: in the studio
  • Young man with an eye, and friends up a tree. On Ryan McGinley
  • Page one: a conversation with Philip Gefter, picture editor of the New York times' front page / by Veronique Vienne
  • History's first draft looks much better with pictures
  • Reflections of New York's luckiest: Look magazine
  • Reading newspaper pictures: a thousand words, and then some
  • Cornell Capa, photojournalist and museum founder, dies at ninety
  • Defining beauty through Avedon
  • Self-portrait as obscure object of desire. On Jack Pierson
  • Is that portrait staring at me? On Fiona Tan
  • Pantheon of arts and letters in light and shadow. On Irving Penn
  • Photographer's lie. On Annie Leibovitz
  • Embalming the American dreamer. On Katy Grannan
  • What eight-five hundred pictures are worth
  • The man who made Mapplethorpe: a film about Sam Wagstaff
  • The Avedon eye, trained on faces captured by others
  • Photography reveals itself between covers
  • Culture in context: photographs in Vince Aletti's magazine collection
  • For photography, extreme home makeover
  • Theater of the street, the subject of the photograph. On Philip-Lorca diCorcia
  • Why photography has supersized itself
  • A thousand words? How about $450,000?
  • From a studio in Arkansas, a portrait of America. On Mike Disfarmer
  • What's new in photography: anything but photos.

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