Pretty pictures production design and the history film
Theories of film have traditionally dealt with either narrative or industrial issues, with the consequence that the physical content of the graphic frame has often been ignored or relegated to the sidelines. By contrast, C. S. Tashiro foregrounds the visual aspect of cinema in this book, drawing on...
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| Main Author: | |
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| Format: | Book |
| Language: | English |
| Published: |
Austin
University of Texas Press
1998
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| Subjects: | |
| Online Access: | Click Here to View Status and Holdings. |
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Add Tag | Summary: | Theories of film have traditionally dealt with either narrative or industrial issues, with the consequence that the physical content of the graphic frame has often been ignored or relegated to the sidelines. By contrast, C. S. Tashiro foregrounds the visual aspect of cinema in this book, drawing on his experiences as a designer and filmmaker, as well as on contemporary theory, to show how production design can support or contradict narrative structure, or exist in an entirely parallel realm of meaning. |
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| Item Description: | Revision of thesis (Ph. D.)--University of Southern California |
| Physical Description: | xvii, 234 pagesw illustrations 25 cm |
| Bibliography: | Includes bibliographical references (p. [213]-225) and index Filmography: p. [203]-212 |
| ISBN: | 9780292781504 (pbk. : alk. paper) 0292781504 (pbk. : alk. paper) |
Script Continuity and the Production Secretary in Film and TV