Story substance, structure, style and the principles of screenwriting
Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of hi...
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Format: | Unknown |
Language: | English |
Published: |
New York
ReganBooks
1997
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Subjects: | |
Online Access: | Click Here to View Status and Holdings. |
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LEADER | 00000n a2200000 a 4501 | ||
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001 | wils-550160 | ||
005 | 2018826163925 | ||
008 | t1997 NYU ag| |#001 #deng#D | ||
020 | # | # | |a 9780060391683 |q hardback |
040 | # | # | |a ITMB |d DLC |e rda |
041 | 0 | # | |a eng |
090 | 0 | 0 | |a PN1996 |b .M465 1997 |
100 | 1 | # | |a McKee, Robert |d 1941- |e author |
245 | 1 | 0 | |a Story |b substance, structure, style and the principles of screenwriting |c Robert McKee |
264 | # | 1 | |a New York |b ReganBooks |c 1997 |
300 | # | # | |a 466 pages |b illustration |c 24 cm |
336 | # | # | |a text |2 rdacontent |
337 | # | # | |a unmediated |2 rdamedia |
338 | # | # | |a volume |2 rdacarrier |
504 | # | # | |a Includes bibliographical references (p. 421-422) and index |
520 | # | # | |a Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience. In Story, McKee expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. No one better understands how all the elements of a screenplay fit together, and no one is better qualified to explain the magic of story construction and the relationship between structure and character than Robert McKee. |
526 | 8 | # | |a CTW422 |b FF224 |5 FF |
526 | # | # | |a Short Film Script |b Bachelor in Creative Technology(Hons) Artistic Writing |5 Faculty of Film, Theatre and Animation |
526 | # | # | |a CTW541 |b FF224 |5 FF |
526 | # | # | |a Screenplay |b Bachelor in Creative Technology(Hons) Artistic Writing |5 Faculty of Film, Theatre and Animation |
526 | 8 | # | |a FWS533 |b FF232 |5 FF |
526 | 8 | # | |a Script Analysis |b Bachelor Of Creative Writing (Hons) In Screen Writing |5 Faculty Film, Theatre And Animation |
650 | # | 0 | |a Motion picture authorship |
650 | # | 0 | |a Motion picture plays |x Technique |
856 | 4 | 0 | |z Click Here to View Status and Holdings. |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=550160 |
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