Embodied cognition and Shakespeare's Theatre the early modern body-mind
This collection considers issues that have emerged in Early Modern Studies in the past fifteen years relating to understandings of mind and body in Shakespeare's world. Informed by The Body in Parts, the essays in this book respond also to the notion of an early modern 'body-mind' in...
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Other Authors: | , , |
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Format: | Unknown |
Language: | English |
Published: |
New York
Routledge
2014
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Series: | Routledge Studies in Shakespeare
10 |
Subjects: | |
Online Access: | Click Here to View Status and Holdings. |
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Summary: | This collection considers issues that have emerged in Early Modern Studies in the past fifteen years relating to understandings of mind and body in Shakespeare's world. Informed by The Body in Parts, the essays in this book respond also to the notion of an early modern 'body-mind' in which Shakespeare and his contemporaries are understood in terms of bodily parts and cognitive processes. What might the impact of such understandings be on our picture of Shakespeare's theatre or on our histories of the early modern period, broadly speaking? This book provides a wide range of approaches to this challenge, covering histories of cognition, studies of early modern stage practices, textual studies, and historical phenomenology, as well as new cultural histories by some of the key proponents of this approach at the present time. |
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Physical Description: | vii, 268 pages : illustrations 24 cm |
Bibliography: | Includes bibliographical references and index |
ISBN: | 9781138000759 |