Popular Film Music and Masculinity in Action a Different Tune

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Bibliographic Details
Main Author: Howell, Amanda
Format: Book
Published: New York Routledge 2015
Series:Routledge advances in film studies ; 38
Subjects:
Online Access:Click Here to View Status and Holdings.
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020 # # |a 9780415897204 (hbk) 
040 # # |a DLC  |b eng  |d DLC  |d ITMBDLC  |e rda 
090 0 0 |a ML2075  |b .H69 2015 
100 1 # |a Howell, Amanda 
245 1 0 |a Popular Film Music and Masculinity in Action  |b a Different Tune  |c Amanda Howell 
260 # # |a New York  |b Routledge  |c 2015 
300 # # |a 175 pages  |c 24 cm 
336 # # |a text  |b txt  |2 rdacontent 
337 # # |a unmediated  |b n  |2 rdamedia 
338 # # |a volume  |b nc  |2 rdacarrier 
490 1 # |a Routledge advances in film stud  |v 38 
504 # # |a Includes bibliographical references and index 
505 1 # |a Introduction -- A different tune: Hollywood, popular music, and Elvis in the 1950s -- Orchestrating violence: music and masculinity in Scorsese's gangster films -- Two worlds: Sweet sweetback's baadasssss song and the dual diegesis -- The power chord goes to war: the Bruckheimer film, music and militainment -- Queering the road movie soundtrack: Gregg Araki's The living end -- John Travolta, a song and dance man in action -- Conclusion. 
650 # 0 |a Motion picture music  |x History and criticism  |z United States 
650 # 0 |a Masculinity in motion pictures 
650 # 0 |a Popular music in motion pictures  |x History and criticism  |z United States 
830 # 1 |a Routledge advances in film studies ;  |v 38 
856 4 0 |z Click Here to View Status and Holdings.  |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=544085