Popular Film Music and Masculinity in Action a Different Tune

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Bibliographic Details
Main Author:	Howell, Amanda
Format:	Unknown
Published:	New York Routledge 2015
Series:	Routledge advances in film studies ; 38
Subjects:	Motion picture music > History and criticism > United States Masculinity in motion pictures Popular music in motion pictures > History and criticism > United States
Online Access:	Click Here to View Status and Holdings.
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100	1	#	\|a Howell, Amanda
245	1	0	\|a Popular Film Music and Masculinity in Action \|b a Different Tune \|c Amanda Howell
260	#	#	\|a New York \|b Routledge \|c 2015
300	#	#	\|a 175 pages \|c 24 cm
336	#	#	\|a text \|b txt \|2 rdacontent
337	#	#	\|a unmediated \|b n \|2 rdamedia
338	#	#	\|a volume \|b nc \|2 rdacarrier
490	1	#	\|a Routledge advances in film stud \|v 38
504	#	#	\|a Includes bibliographical references and index
505	1	#	\|a Introduction -- A different tune: Hollywood, popular music, and Elvis in the 1950s -- Orchestrating violence: music and masculinity in Scorsese's gangster films -- Two worlds: Sweet sweetback's baadasssss song and the dual diegesis -- The power chord goes to war: the Bruckheimer film, music and militainment -- Queering the road movie soundtrack: Gregg Araki's The living end -- John Travolta, a song and dance man in action -- Conclusion.
650	#	0	\|a Motion picture music \|x History and criticism \|z United States
650	#	0	\|a Masculinity in motion pictures
650	#	0	\|a Popular music in motion pictures \|x History and criticism \|z United States
830	#	1	\|a Routledge advances in film studies ; \|v 38
856	4	0	\|z Click Here to View Status and Holdings. \|u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=544085
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