Experience and meaning in music performance
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| Format: | Book |
|---|---|
| Published: |
New York
Oxford University Press
2013
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| Subjects: | |
| Online Access: | Click Here to View Status and Holdings. |
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| LEADER | 00000n a2200000 a 4501 | ||
|---|---|---|---|
| 001 | wils-543768 | ||
| 020 | # | # | |a 9780199811311 (pbk) |
| 040 | # | # | |a DLC |b eng |d ITMBDLC |d DLC |e rda |
| 090 | 0 | 0 | |a ML3853 |b .E97 2013 |
| 245 | 1 | 0 | |a Experience and meaning in music performance |c edited by Martin Clayton, Byron Dueck and Laura Leante |
| 260 | # | # | |a New York |b Oxford University Press |c 2013 |
| 300 | # | # | |a xi, 232 pages |b illustrations |c 24 cm |
| 336 | # | # | |a text |2 rdacontent |
| 337 | # | # | |a unmediated |2 rdamedia |
| 338 | # | # | |a volume |2 rdacarrier |
| 504 | # | # | |a Includes bibliographical references (pages 209-221) and index |
| 505 | 1 | # | |a Entrainment, ethnography and musical interaction / Martin Clayton -- Social co-regulation and communication in North Indian duo performances / Nikki Moran -- Groove : temporality, awareness and the feeling of entrainment in jazz performance / Mark Doffman -- Performing the rosary : meanings of time in Afro-Brazilian congado music / Glaura Lucas -- Performance and shame / Andy McGuiness -- Rhythm and role recruitment in Manitoban aboriginal vocal and instrumental music / Byron Dueck -- Imagery, gesture and listeners' construction of meaning in North Indian classical music / Laura Leante -- Embodiment and movement in musical performance / Martin Clayton and Laura Leante. |
| 650 | # | 0 | |a Music |x Philosophy and aesthetics |x Performance |
| 650 | # | 0 | |a Ethnomusicology |x Performance |x Philosophy and aesthetics |
| 700 | 1 | # | |a Clayton, Martin, |e editor of compilation. |
| 700 | # | # | |a Dueck, Byron, |e editor of compilation. |
| 700 | # | # | |a Leante, Laura, |e editor of compilation. |
| 856 | 4 | 0 | |z Click Here to View Status and Holdings. |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=543768 |
Theory for ethnomusicology