Experience and meaning in music performance

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Published: New York Oxford University Press 2013
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001 wils-543768
020 # # |a 9780199811311 (pbk) 
040 # # |a DLC  |b eng  |d ITMBDLC  |d DLC  |e rda 
090 0 0 |a ML3853  |b .E97 2013 
245 1 0 |a Experience and meaning in music performance  |c edited by Martin Clayton, Byron Dueck and Laura Leante 
260 # # |a New York  |b Oxford University Press  |c 2013 
300 # # |a xi, 232 pages  |b illustrations  |c 24 cm 
336 # # |a text  |2 rdacontent 
337 # # |a unmediated  |2 rdamedia 
338 # # |a volume  |2 rdacarrier 
504 # # |a Includes bibliographical references (pages 209-221) and index 
505 1 # |a Entrainment, ethnography and musical interaction / Martin Clayton -- Social co-regulation and communication in North Indian duo performances / Nikki Moran -- Groove : temporality, awareness and the feeling of entrainment in jazz performance / Mark Doffman -- Performing the rosary : meanings of time in Afro-Brazilian congado music / Glaura Lucas -- Performance and shame / Andy McGuiness -- Rhythm and role recruitment in Manitoban aboriginal vocal and instrumental music / Byron Dueck -- Imagery, gesture and listeners' construction of meaning in North Indian classical music / Laura Leante -- Embodiment and movement in musical performance / Martin Clayton and Laura Leante. 
650 # 0 |a Music  |x Philosophy and aesthetics  |x Performance 
650 # 0 |a Ethnomusicology  |x Performance  |x Philosophy and aesthetics 
700 1 # |a Clayton, Martin,  |e editor of compilation. 
700 # # |a Dueck, Byron,  |e editor of compilation. 
700 # # |a Leante, Laura,  |e editor of compilation. 
856 4 0 |z Click Here to View Status and Holdings.  |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=543768 
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