Gangsters and G-men on screen crime cinema then and now

In Gangsters and G-Men on Screen: Crime Cinema Then and Now, Gene D. Phillips revisits some of the most popular and iconic representations of the genre. While this volume offers new perspectives on some established classics-usual suspects like Little Caesar, Bonnie and Clyde, and The Godfather Part...

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Bibliographic Details
Main Author: Phillips, Gene D.
Format: Book
Language:English
Published: Lanham, Maryland Rowman & Littlefield 2014
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Online Access:Click Here to View Status and Holdings.
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020 # # |a 9781442230750  |q hardcover 
040 # # |a UiTM  |e rda 
041 0 # |h eng 
090 0 0 |a PN1995.9.G3  |b P45 2014 
100 1 # |a Phillips, Gene D. 
245 1 0 |a Gangsters and G-men on screen  |b crime cinema then and now  |c Gene D. Phillips 
264 # 1 |a Lanham, Maryland  |b Rowman & Littlefield  |c 2014 
300 # # |a 191 pages  |b illustrations  |c 19 cm 
336 # # |a text  |2 rdacontent 
337 # # |a unmediated  |2 rdamedia 
338 # # |a volume  |2 rdacarrier 
504 # # |a Includes bibliographical references and index 
505 0 # |a The rise of the gangster film -- Little Caesar and The public enemy -- The story of Temple Drake and No orchids for Miss Blandish -- Dead end and This gun for hire -- Criss cross and White heat -- John Huston's Key Largo and The asphalt jungle -- The lady from Shanghai and The great Gatsby -- Fritz Lang's You only live once and The big heat -- The godfather, part II -- Bonnie and Clyde and The untouchables -- The grifters and The departed -- Dillinger and Public enemies -- Gangster squad (2013) and other films. 
520 # # |a In Gangsters and G-Men on Screen: Crime Cinema Then and Now, Gene D. Phillips revisits some of the most popular and iconic representations of the genre. While this volume offers new perspectives on some established classics-usual suspects like Little Caesar, Bonnie and Clyde, and The Godfather Part II-Phillips also calls attention to some of the unheralded but no less worthy films and filmmakers that represent the genre. Expanding the viewer's notion of what constitutes a gangster film, Phillips offers such unusual choices as You Only Live Once, Key Largo, The Lady from Shanghai, and even the 1949 version of The Great Gatsby. Also included in this examination are more recent ventures, such as modern classics The Grifters and Martin Scorsese's The Departed. In his analyses, Phillips draws on a number of sources, including personal interviews with directors and other artists and technicians associated with the films he discusses. Of interest to film historians and scholars, Gangsters and G-Men on Screen will also appeal to anyone who wants to better understand the films that represent an important contribution to crime cinema. 
650 # 0 |a Gangster films  |x History and criticism 
856 4 0 |z Click Here to View Status and Holdings.  |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=539976