Gangsters and G-men on screen crime cinema then and now
In Gangsters and G-Men on Screen: Crime Cinema Then and Now, Gene D. Phillips revisits some of the most popular and iconic representations of the genre. While this volume offers new perspectives on some established classics-usual suspects like Little Caesar, Bonnie and Clyde, and The Godfather Part...
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Main Author: | |
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Format: | Book |
Language: | English |
Published: |
Lanham, Maryland
Rowman & Littlefield
2014
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Subjects: | |
Online Access: | Click Here to View Status and Holdings. |
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LEADER | 00000ntm a2200000 i 4501 | ||
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001 | wils-539976 | ||
005 | 201801015546 | ||
008 | 180110t2014 XXU ag| |#001 ##ENG#D | ||
020 | # | # | |a 9781442230750 |q hardcover |
040 | # | # | |a UiTM |e rda |
041 | 0 | # | |h eng |
090 | 0 | 0 | |a PN1995.9.G3 |b P45 2014 |
100 | 1 | # | |a Phillips, Gene D. |
245 | 1 | 0 | |a Gangsters and G-men on screen |b crime cinema then and now |c Gene D. Phillips |
264 | # | 1 | |a Lanham, Maryland |b Rowman & Littlefield |c 2014 |
300 | # | # | |a 191 pages |b illustrations |c 19 cm |
336 | # | # | |a text |2 rdacontent |
337 | # | # | |a unmediated |2 rdamedia |
338 | # | # | |a volume |2 rdacarrier |
504 | # | # | |a Includes bibliographical references and index |
505 | 0 | # | |a The rise of the gangster film -- Little Caesar and The public enemy -- The story of Temple Drake and No orchids for Miss Blandish -- Dead end and This gun for hire -- Criss cross and White heat -- John Huston's Key Largo and The asphalt jungle -- The lady from Shanghai and The great Gatsby -- Fritz Lang's You only live once and The big heat -- The godfather, part II -- Bonnie and Clyde and The untouchables -- The grifters and The departed -- Dillinger and Public enemies -- Gangster squad (2013) and other films. |
520 | # | # | |a In Gangsters and G-Men on Screen: Crime Cinema Then and Now, Gene D. Phillips revisits some of the most popular and iconic representations of the genre. While this volume offers new perspectives on some established classics-usual suspects like Little Caesar, Bonnie and Clyde, and The Godfather Part II-Phillips also calls attention to some of the unheralded but no less worthy films and filmmakers that represent the genre. Expanding the viewer's notion of what constitutes a gangster film, Phillips offers such unusual choices as You Only Live Once, Key Largo, The Lady from Shanghai, and even the 1949 version of The Great Gatsby. Also included in this examination are more recent ventures, such as modern classics The Grifters and Martin Scorsese's The Departed. In his analyses, Phillips draws on a number of sources, including personal interviews with directors and other artists and technicians associated with the films he discusses. Of interest to film historians and scholars, Gangsters and G-Men on Screen will also appeal to anyone who wants to better understand the films that represent an important contribution to crime cinema. |
650 | # | 0 | |a Gangster films |x History and criticism |
856 | 4 | 0 | |z Click Here to View Status and Holdings. |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=539976 |