Comedy and the public sphere the rebirth of theatre as comedy and the genealogy of the modern public arena
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York
Routledge
2013
|
| Subjects: | |
| Online Access: | Click Here to View Status and Holdings. |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Add Tag MARC
| LEADER | 00000n a2200000 a 4501 | ||
|---|---|---|---|
| 001 | wils-523077 | ||
| 005 | 202054182919 | ||
| 008 | t2013 XXU #g| |#001 ##eng#D | ||
| 020 | # | # | |a 9780415623919 (hbk.) |7 80415623919 (hbk.) |
| 040 | # | # | |a DLC |d ITMB |e rda |l C |
| 041 | 0 | # | |a eng |
| 090 | 0 | 0 | |a PN2570 |b .S93 2013 |
| 100 | # | # | |a Szakolczai, Arpad |e author |s zakolczai, Arpad |
| 245 | 1 | 0 | |a Comedy and the public sphere |b the rebirth of theatre as comedy and the genealogy of the modern public arena |c Arpad Szakolczai |
| 260 | # | # | |e w York |
| 264 | # | 1 | |a New York |b Routledge |c 2013 |
| 300 | # | # | |a 357 pages |c 24 cm |5 7 pages |
| 336 | # | # | |a text |2 rdacontent |
| 337 | # | # | |a unmediated |2 rdamedia |
| 338 | # | # | |a volume |2 rdacarrier |
| 504 | # | # | |a Includes bibliographical references and indexes |n cludes bibliographical references and indexes |
| 505 | # | # | |a Introduction -- The public sphere as a theatrical arena of mocking contest: comedy, mask, laughter. The public and its masks: permanent hyper-critique and hypocritical performance -- Nietzsche's intuitions: from theatre through humanist philology to R |i ntroduction -- The public sphere as a theatrical arena of mocking contest: comedy, mask, laughter. The public and its masks: permanent hyper-critique and hypocritical performance -- Nietzsche's intuitions: from theatre through humanist philology to Richard Wagner, or the genealogy of the modern world as stage -- Ridiculing as public weapon --The rebirth of theatre as comedy out of the spirit of the Byzantium -- The Byzantine spirit and its sources. Transmitting, receiving and nurturing the Byzantine spirit -- The rise of theatre in Venice -- The effect mechanism of Commedia dell'Arte: visions and realities of commedification -- Commedia dell'Arte: schismogenic sub-plots and irresistible stock-types -- Shakespeare: the tragedy of world history being a comedy -- Representing representation: visionary images of Commedia dell'Arte -- The rebirth of Commedia dell'Arte as the Avant-garde. The rebirth of Pierrot as suffering victim -- Obsessed with Paris and public fame: Richard Wagner, the mimomaniac revolutionary -- Pierrot and Pulcinella in between Paris and Petersburg: the Avant-Garde of Diaghilev and Meyerhold -- Conclusion |
| 650 | # | 0 | |a Theater and society |t heater and society |x Histor |z Europe |
| 650 | # | 0 | |a Comedy |t heater |x Histor |z Europe |
| 650 | # | 0 | |a Theater |c omed |x History |z Europe |
| 856 | 4 | 0 | |z Click Here to View Status and Holdings. |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=523077 |
A short history of Western performance space