A history of twentieth-century music in a theoretic-analytical context

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Bibliographic Details
Main Author: ntokoletz, Elliott
Format: Unknown
Published: New York Routledge 2014
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Table of Contents:
  • he Vienna of Freud : toward expressionism and the transformation of chromatic tonality
  • Vienna Schoenberg circle : expressionism and free atonality
  • Schoenberg's music societies, World War I, and evolution of the twelve-tone method
  • Musical reactions to the ultrachromaticism of the Wagner-Strauss period and the rise of new national styles
  • Sources of the "new Hungarian art music" and Bartâok's move toward modernism
  • Toward synthesis of divergent folk- and art-music sources in eastern Europe
  • Cultural identity and cosmopolitan developments in northern, western, and southern Europe
  • New musical sources and aesthetics in the United States
  • Search for cultural identity in Latin America
  • Rise of neoclassicism in France : the Cocteau-Satie era and "Les Six"
  • Stravinsky in Switzerland and Paris (1914-1939) : the neoclassical style
  • The "new objectivity," Gebrauchsmusik, and neotonality in Germany
  • The music of Soviet composers and Socialist realism
  • New sonorities based on density, color, and noise
  • Beyond the Second Viennese School : early developments of twelve-tone serialism
  • Total serialization in Europe
  • Serial and nonserial approaches to interval-sets in the United States
  • Twelve-tone tonality
  • Musique concr?ete and electronic music
  • Aleatory--chance, improvisation, open form--and minimalist music
  • Continuation and synthesis of national characteristics and other earlier trends in Europe
  • Continuation and synthesis of national characteristics and other earlier trends in the United States
  • Latin American composers at home and abroad : continuation and synthesis of national characteristics and other earlier trends
  • Synthesis of East and West in eastern Asia. The Vienna of Freud : toward expressionism and the transformation of chromatic tonality
  • Vienna Schoenberg circle : expressionism and free atonality
  • Schoenberg's music societies, World War I, and evolution of the twelve-tone method
  • Musical rea