The Critical reception of Beethoven's compositions by his German contemporari
Brings to light contemporary perceptions of Beethoven's music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven's music to theoretical and critical ideas of the ei
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Format: | Unknown |
Language: | English |
Published: |
Linco
University of Nebraska Press, in association with the American Beethoven Society and the Ira F Brilliant Center for Beethoven Studies, San Josâe State University
1999-
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Series: | North American Beethoven studies
v 3 |
Subjects: | |
Online Access: | Click Here to View Status and Holdings. |
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005 | 202115121354 | ||
008 | t1999 ILU ag| |#001 ##eng#D | ||
020 | # | # | |a 9780803212503 (hbk.) |q hardback |7 80803212503 (hbk.) |
040 | # | # | |a DLC |d ITMB |e rda |l C |
041 | 0 | # | |a eng |
090 | 0 | 0 | |a ML410.B42 |b C75 1999 |
245 | 0 | 4 | |a The Critical reception of Beethoven's compositions by his German contemporari |c Wayne M Senner, general editor and translator ; Robin Wallace, musicological editor ; William Meredith, musicological editor |
260 | # | # | |i nco |
264 | # | 1 | |a Linco |b University of Nebraska Press, in association with the American Beethoven Society and the Ira F Brilliant Center for Beethoven Studies, San Josâe State University |c 1999- |
300 | # | # | |a <v. 1-2 > |b illustrations |c 26cm |v . 1-2 > |
336 | # | # | |a text |2 rdacontent |
337 | # | # | |a unmediated |2 rdamedia |
338 | # | # | |a volume |2 rdacarrier |
490 | 1 | # | |a North American Beethoven studies |n orth American Beethoven studies |v v 3 |
504 | # | # | |a Includes bibliographical references and indexes |n cludes bibliographical references and indexes |
505 | 1 | # | |a Vol.1: ops. 1-54 -- vol.2: ops. 55-72 |v ol.1: ops. 1-54 -- vol.2: ops. 55-72 |
520 | # | # | |a Brings to light contemporary perceptions of Beethoven's music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven's music to theoretical and critical ideas of the ei |r ings to light contemporary perceptions of Beethoven's music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven's music to theoretical and critical ideas of the eighteenth and nineteenth centuries |
650 | # | 0 | |a Beethoven, Ludwig van, |b eethoven, Ludwig van, |d 1770-1827 |x Criticism and interpretatio |
700 | 1 | # | |a Wallace, Robin |s enner, Wayne M |
700 | # | # | |a Senner, Wayne M |w allace, Robin |
700 | # | # | |a Meredith, William Rhea |m eredith, William Rhea |
856 | 4 | 0 | |z Click Here to View Status and Holdings. |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=488783 |
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