The opera theater of Count Franz Anton von Sporck in Prag

Volume 2 in the series, Studies in Czech Music, is Daniel Freeman's The Opera Theater of Count Franz Anton von Sporck in Prague (1724-35), a thorough investigation which suggests significant connections between the Czech lands and European operatic traditions. This study provides great detail n...

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Bibliographic Details
Main Author: Freeman, Daniel E. (Author)
Format: Book
Language:English
Published: Stuyvesant Pendragon Press 1992
Series:Studies in Czech music no
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Online Access:Click Here to View Status and Holdings.
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245 1 4 |a The opera theater of Count Franz Anton von Sporck in Prag  |c by Daniel E Freeman 
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490 1 # |a Studies in Czech music  |s tudies in Czech music  |v no 2 
500 # # |a sed on the author's doctoral dissertation--University of Illinois 
504 # # |a Includes bibliographical references (p 361-367) and index  |n cludes bibliographical references (p 361-367) and index 
505 1 # |a I: The Foundation and Heyday of the Sporck Theater (1724-29) -- II: The Decline of the Sporck Theater (1729-35) -- III: The Singers of the Sporck Theater -- IV: The Repertory of the Sporck Theater -- V: Antonio Vivaldi and the Sporck Theater -- Append  |i : The Foundation and Heyday of the Sporck Theater (1724-29) -- II: The Decline of the Sporck Theater (1729-35) -- III: The Singers of the Sporck Theater -- IV: The Repertory of the Sporck Theater -- V: Antonio Vivaldi and the Sporck Theater -- Appendix I: Librettos Associated with Performances of Italian Opera in Kuks, the Sporck Theater, and the Mala Strana Ball House (1724-38) -- Appendix II: Transcriptions of Some Sporck Theater Documents Preserved in the State Central Archive in Prague -- Appendix III: The Careers of the Sporck Theater Singers 
520 # # |a Volume 2 in the series, Studies in Czech Music, is Daniel Freeman's The Opera Theater of Count Franz Anton von Sporck in Prague (1724-35), a thorough investigation which suggests significant connections between the Czech lands and European operatic traditions. This study provides great detail not only in the musical life of the time, but also in the area of political, social, and economic life. It augments and clarifies earlier scholarship through a reexamination of all source materials both previously known and newly discovered, and pays specific attention to the relationship that the theater maintained with Antonio Vivaldi and the effects of that relationship. 
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830 # 1 |a Studies in Czech music  |s tudies in Czech music  |v no 
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