Symphonic and chamber music score and parts bank thematic catalogue of the Barry S. Brook Facsimile archive of 18th and early 19th Century Autographs, manuscripts, and printed copies at the Ph.D. program in music of the Graduate School of the City University of New York

The Symphonic and Chamber Music Bank of the Ph.D. Program in Music at the Graduate School of the City University of New York is an archive of 18th and 19th century reproductions assembled with a special purpose. Pertinent parts and scores have been culled from libraries and collections world-wide, b...

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Bibliographic Details
Corporate Author: Symphonic and chamber music score and parts bank (City University of New York)
Other Authors: Rowen, Ruth Halle
Format: Book
Language:English
Published: Stuyvesan Pendragon Press 1996
Series:Thematic catalogues no. 24
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Online Access:Click Here to View Status and Holdings.
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245 1 0 |a Symphonic and chamber music score and parts bank thematic catalogue of the Barry S. Brook Facsimile archive of 18th and early 19th Century Autographs, manuscripts, and printed copies at the Ph.D. program in music of the Graduate School of the City University of New York  |c by Ruth Halle Rowen 
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520 # # |a The Symphonic and Chamber Music Bank of the Ph.D. Program in Music at the Graduate School of the City University of New York is an archive of 18th and 19th century reproductions assembled with a special purpose. Pertinent parts and scores have been culled from libraries and collections world-wide, bringing a lesser-known notated music to a central location for further intensive study. The archive, which has been expanding steadily since 1974, was conceived by Professor Barry Brook, the first Executive Officer of the CUNY Music Department. It is our intent to present the compositional sources - the compositions heard in the classical salons, courts, and concert halls - which did not necessarily make their way into the current repertoire. Excluded are the bulk of the works of the masters - Haydn, Mozart, and Beethoven - which have already been catalogued extensively, and are constantly being updated. Included are any compositions from the early 1700s through the1830s which have survived. These building blocks of yesteryear are the foundation for a penetrating rediscovery and assessment of music in the Classic Era. 
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650 # 0 |a Instrumental music  |i nstrumental music  |x Thematic catalog  |y 18th century 
700 1 # |a Rowen, Ruth Halle  |r owen, Ruth Halle 
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