Medee Et Jason tragedie en musique
Carnaval de Venise, Campra's second work for the Académie Royale de Musique, has significance in the history of the French lyric theatre for it is a rare example of an opéra- ballet with continuous action. The m ore typical genre, exemplified by L'Europe galant, has a separate plot for e...
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| Other Authors: | , |
| Format: | Book |
| Language: | English |
| Published: |
Stuyvesant, N.Y.
Pendragon Press
1991
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| Series: | French opera in the seventeenth and eighteenth centuries
v. 2 |
| Subjects: | |
| Online Access: | Click Here to View Status and Holdings. |
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|---|---|---|---|
| 001 | wils-488447 | ||
| 005 | 2021518121912 | ||
| 008 | t1991 XXU ag| |#001 ##eng#D | ||
| 020 | # | # | |a 0945193076 (hbk.) |q hardback |9 45193076 (hbk.) |
| 040 | # | # | |a DLC |d ITMB |e rda |l C |
| 041 | 0 | # | |a eng |
| 090 | 0 | 0 | |a M1550.S21 |b M3 1991 |
| 100 | 1 | # | |a Salomon, Joseph-Francois |d 1649-1732 |e author |s alomon, Joseph-Francois |
| 245 | 1 | 0 | |a Medee Et Jason |b tragedie en musique |c J.F. Salomon; introduction by Leslie Ellen Brown |
| 260 | # | # | |t uyvesant, N.Y. |
| 264 | # | 1 | |a Stuyvesant, N.Y. |b Pendragon Press |c 1991 |
| 300 | # | # | |a 1 score (xlvii, 286 pages) |b illustrations |c 32 cm |s core (xlvii, 286 pages) |
| 336 | # | # | |a text |2 rdacontent |
| 337 | # | # | |a unmediated |2 rdamedia |
| 338 | # | # | |a volume |2 rdacarrier |
| 490 | 1 | # | |a French opera in the 17th and 18th centuries |f rench opera in the 17th and 18th centuries |v v. 28 |
| 500 | # | # | |a Libretto by Simon-Joseph Pellegrin |i bretto by Simon-Joseph Pellegrin |
| 500 | # | # | |a Reproduces the ms. score from 1736 |e produces the ms. score from 1736 |
| 500 | # | # | |a Reprint (Libretto). Originally published: Paris : J.B. Christophe Ballard, 1736 |e print (Libretto). Originally published: Paris : J.B. Christophe Ballard, 1736 |
| 500 | # | # | |a Includes libretto: p. xxvii-xliv |n cludes libretto: p. xxvii-xliv |
| 500 | # | # | |a Opera in 5 acts |p era in 5 acts |
| 504 | # | # | |a Includes bibliographical references |n cludes bibliographical references |
| 520 | # | # | |a Carnaval de Venise, Campra's second work for the Académie Royale de Musique, has significance in the history of the French lyric theatre for it is a rare example of an opéra- ballet with continuous action. The m ore typical genre, exemplified by L'Europe galant, has a separate plot for each act. By virtue of its single intrigue, Le Carnaval de Venise is an important precursor of the French lyric comedy of which Rameau's Platée (1746 is perhaps the best known example. Le Carnaval de Venise served Campra as a study for his later opéra-ballet, Les Fêumflex;tes vénitiennes (1710).Of special interest in both works is the interpolation of an op era within an opera. A miniature Italian opera in eight scenes, Orfeo nell'inferni, forms one of the divertissements in the final act of Le Carnaval de Venise. |
| 650 | # | 1 | |a Medea (Greek mythology) |j ason (Greek mythology) |x Dram |
| 650 | # | # | |a Operas |m edea (Greek mythology) |x Dram |
| 650 | # | # | |a Operas |o peras |x Score |
| 650 | # | # | |a Jason (Greek mythology) |o peras |x Libretto |
| 700 | 1 | # | |a Pellegrin |c M. l'abbel |d 1663-1745 |p ellegrin |q Simon-Joseph |4 lbt |
| 700 | # | # | |a Brown, Leslie Ellen |b rown, Leslie Ellen |
| 830 | # | 1 | |a French opera in the seventeenth and eighteenth centuries |f rench opera in the seventeenth and eighteenth centuries |v v. 2 |
| 856 | 4 | 0 | |z Click Here to View Status and Holdings. |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=488447 |
Medea 
Men and gods