crafting modernism Midcentury American Art and Design
Crafting Modernism: Midcentury American Art and Design is an in-depth examination of the American studio craft movement in the decades following World War II, with a focus on the major mediums (clay, wood, fiber, metal, jewelry, and glass) favored by the greatest craftspeople of the period. Publishe...
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Main Authors: | , |
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Other Authors: | |
Format: | Book |
Language: | English |
Published: |
New York
Abrams
2011
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Series: | The history of twentieth-century American craft
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Subjects: | |
Online Access: | Click Here to View Status and Holdings. |
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001 | wils-478035 | ||
005 | 201885115231 | ||
008 | 180905s2011 NYU aeR |#001 #dENG#D | ||
020 | # | # | |a 0810984806 |q hardback |
020 | # | # | |a 9780810984806 |q hardback |
040 | # | # | |a DLC |d UiTM |e rda |
041 | 0 | # | |a eng |
090 | 0 | 0 | |a NK808 |b .C72 2011 |
245 | 0 | 0 | |a crafting modernism |b Midcentury American Art and Design |c Jeannine Falino, general editor ; Jeannine Falino with Jennifer Scanlan, curators ; with essays by Glenn Adamson, Donald Albrecht, Elissa Auther, David L. Barquist, Ulysses Grant Dietz, Patricia Failing, Jeannine Falino, Caroline M. Hannah, Ursula Ilse-Neuman, Bruce Metcalf, Jennifer Scanlan, Lowery Stokes Sims |
246 | 3 | 0 | |a Midcentury American art and design |
264 | # | 1 | |a New York |b Abrams |c 2011 |
300 | # | # | |a 367 pages |b colour illustrations |c 29 cm |
336 | # | # | |a text |2 rdacontent |
337 | # | # | |a unmediated |2 rdamedia |
338 | # | # | |a volume |2 rdacarrier |
490 | 1 | # | |a The history of twentieth-century American craft |
504 | # | # | |a Includes bibliographical references and index |
520 | # | # | |a Crafting Modernism: Midcentury American Art and Design is an in-depth examination of the American studio craft movement in the decades following World War II, with a focus on the major mediums (clay, wood, fiber, metal, jewelry, and glass) favored by the greatest craftspeople of the period. Published to coincide with an exhibition opening in October 2011 at the Museum of Arts and Design in New York, this book explores the origins of the studio craft movement, the international influences that helped it grow in this country and abroad, and its convergence with the fine arts and design. This examination of the movement in the postwar years reveals how a new generation of craftspeople began to express cultural identity and artistic innovation through their work, which led to a proliferation of the craft movement in museums and exhibitions worldwide. A few of the many artists represented include Dale Chihuly, Charles and Ray Eames, Wharton Esherick, George Nakashima, and Peter Voulkos. |
526 | 0 | # | |a ATH435 |b AD230 |5 AD |
526 | 0 | # | |a ATH435 |b AD247 |5 AD |
526 | 0 | # | |a Art and Design History and Theory |b Bachelor Of Creative Photomedia (Honors) |5 Faculty of Art & Design |
526 | 0 | # | |a Art and Design History and Theory |b Bachelor of Technology Printing |5 Faculty of Art & Design |
650 | # | 0 | |a Modernism (Aesthetics) |x History |y 20th century |z United States |
650 | # | 0 | |a Decorative arts |x History |y 20th century |z United States |
700 | 1 | # | |a Falino, Jeannine |e editor |
700 | 1 | # | |a Scanlan, Jennifer |e author |
700 | 1 | # | |a Adamson, Glenn |e author |
856 | 4 | 0 | |z Click Here to View Status and Holdings. |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=478035 |
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