Seeing differently a history and theory identification and the visual arts
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Format: | Book |
Published: |
Abingdon, Oxon [England]
Routledge
2012
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Online Access: | Click Here to View Status and Holdings. |
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LEADER | 00000n a2200000 a 4501 | ||
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001 | wils-472346 | ||
020 | # | # | |a 9780415543828 (hardback : alk. paper) |
020 | # | # | |a 0415543827 (hardback : alk. paper) |
020 | # | # | |a 9780415543835 (pbk. : alk. paper) |
020 | # | # | |a 0415543835 (pbk. : alk. paper) |
040 | # | # | |a DLC |d ITMB |
090 | 0 | 0 | |a NX650.I35 |b J66 2012 |
100 | 1 | # | |a Jones, Amelia |
245 | 1 | 0 | |a Seeing differently |b a history and theory identification and the visual arts |c Amelia Jones |
260 | # | # | |a Abingdon, Oxon [England] |b Routledge |c 2012 |
300 | # | # | |a xxx, 254 p. |b ill. (some col.) |c 24 cm |
504 | # | # | |a Includes bibliographical references and index |
505 | 1 | # | |a Introduction: the leaking frame of the argument on how to see differently -- Art as a binary proposition: identity as a binary proposition -- Fetishizing the gaze and the anamorphic perversion : "the other is you" -- Multiculturalism, intersectionality, |
650 | # | 0 | |a Identity (Philosophical concept) in art |
650 | # | 0 | |a Visual perception in art |
650 | # | 0 | |a Arts, Modern |
650 | # | 0 | |a Aesthetics, Modern |
856 | 4 | 0 | |z Click Here to View Status and Holdings. |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=472346 |
964 | # | # | |c BOK |d AD |
998 | # | # | |a 00260##a002.8.2||00260##b002.8.4||00260##c002.7.6||00300##a003.4.1||00300##b003.6.1||00300##c003.5.1|| |