The invention of "folk music" and "art music" emerging categories from Ossian to Wagner
This book considers the origins and implications of the way in which we categorize music. Matthew Gelbart argues that folk music and art music became meaningful concepts only in the late eighteenth and early nineteenth centuries, and affect the way we create, perform and listen to music.
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| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Cambridge, UK
Cambridge University Press
2007
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| Series: | New perspectives in music history and criticism
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| Subjects: | |
| Online Access: | Click Here to View Status and Holdings. |
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| 100 | 1 | # | |a Gelbart, Matthew |e author |
| 245 | 1 | 4 | |a The invention of "folk music" and "art music" |b emerging categories from Ossian to Wagner |c Matthew Gelbart |
| 264 | # | 1 | |a Cambridge, UK |b Cambridge University Press |c 2007 |
| 264 | # | 4 | |c ©2007 |
| 300 | # | # | |a xii, 287 pages |b illustrations |c 24 cm |
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| 490 | 1 | # | |a New perspectives in music history and criticism |
| 504 | # | # | |a Includes bibliographical references and index |
| 520 | # | # | |a This book considers the origins and implications of the way in which we categorize music. Matthew Gelbart argues that folk music and art music became meaningful concepts only in the late eighteenth and early nineteenth centuries, and affect the way we create, perform and listen to music. |
| 650 | # | 0 | |a Music |x Historiography |
| 650 | # | 0 | |a Music |x History and criticism |y 18th century |z Europe |
| 650 | # | 0 | |a Folk music |x History and criticism |y 18th century |z Europe |
| 650 | # | 0 | |a Music |x History and criticism |y 19th century |z Europe |
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Folk music a very short introduction