Thomas Hardy on screen
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Cambridge, U.K. New York
Cambridge University Press
2005
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Table of Contents:
- Hardy as a cinematic novelist : three aspects of narrative technique / Terry Wright
- From painting to cinema : visual elements in Hardy's fiction / Roger Webster
- Wessex on film / Simon Gatrell
- The silent era : Thomas Hardy goes way down east / Peter Widdowson
- Screening the short stories : from the 1950s to the 1990s / Roy Pierce-Jones
- All fall down : Hardy's heroes on the 1990s cinema screen / Judith Mitchell
- Far from the madding crowd in the cinema : the problem of textual fidelity / Keith Wilson
- Staging The native : aspects of screening The return of the native / Rosemarie Morgan
- Screening the flashback : three ways of opening The mayor of Casterbridge / Philip Allingham
- The woodlanders : the conflicting visions of Phil Agland and Thomas Hardy / Dale Kramer
- Dissonance, simulacra and the grain of the voice in Roman Polanski's Tess / John Paul Riquelme
- Romancing the text : genre, indeterminacy and televising Tess of the D'Urbervilles / Richard Nemesvari
- Adapting Hardy's Jude the obscure for screen : a study in contrasts / Robert Schweik
The human predicament in Hardy's novels