A handbook to twentieth-century musical sketches
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Cambridge New York
Cambridge University Press
2004
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Table of Contents:
- Sketches and sketching / Giselher Schubert and Friedemann Sallis
- Preliminaries before visiting an archive / Ulrich Mosch
- Archival etiquette / Therese Muxeneder
- Coming to terms with the composer's working manuscripts / Friedemann Sallis
- The classification of musical sketches exemplified in the catalogue of the Archivio Luigi Nono / Erika Schaller
- Digital preservation of archival material / William Koseluk
- Transcribing sketches / Regina Busch
- A tale of two sketchbooks : reconstructing and deciphering Alban Berg's sketchbooks for Wozzeck / Patricia Hall
- "Written between the desk and the piano" : dating Bâela Bartâok's sketches / Lâaszlâo Somfai
- Defining compositional process : idea and instrumentation in Igor Stravinsky's Ragtime (1918) and Pribaoutki (1915) / Tomi Mèakelèa
- Floating hierarchies : organisation and composition in works by Pierre Boulez and Karlheinz Stockhausen during the 1950s / Pascal Decroupet
- Elliott Carter's sketches : spiritual exercises and craftsmanship / Denis Vermaelen
- E-sketches : Brian Ferneyhough's use of computer-assisted compositional tools / Ross Feller
- John Cage's Williams mix (1951-3) : the restoration and new realisations of and variations on the first octophonic, surround-sound tape composition / Larry Austin