Ecological architecture a critical history

When we enter places which immediately make us feel welcome, we relax and let ourselves go. We often feel the need to escape, and on feeling from our worries we arrive at the doors of a shop, transfixed by the window displays and the objects that flirt with our eyes. We enter unreservedly into the g...

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Bibliographic Details
Main Author: Steele, James 1943- (Author)
Format: Book
Language:English
Published: London Thames & Hudson 2005
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Online Access:Click Here to View Status and Holdings.
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020 # # |a 0500342105  |q hardback 
040 # # |a UiTM  |b eng  |d UiTM  |e rda 
041 0 # |a eng 
090 # # |a NA2542.36  |b .S74 2005 
100 # # |a Steele, James  |c 1943-  |e author 
245 # # |a Ecological architecture  |b a critical history  |c James Steele 
264 # 1 |a London  |b Thames & Hudson  |c 2005 
300 # # |a 272 pages :  |b illustrations (some colour)  |c 26 cm 
336 # # |a text  |2 rdacontent 
337 # # |a unmediated  |2 rdamedia 
338 # # |a volume  |2 rdacarrier 
504 # # |a Includes bibliographical references (p. 266-267) and index 
520 # # |a When we enter places which immediately make us feel welcome, we relax and let ourselves go. We often feel the need to escape, and on feeling from our worries we arrive at the doors of a shop, transfixed by the window displays and the objects that flirt with our eyes. We enter unreservedly into the game of seduction, created between us and those material pleasures which inevitably tie us to life. Pleasures that we desire and which on many occasions we rely on for our happiness. Lets start this parade of fascinating spaces, which unreservedly welcome us in; places to reflect for many and, for others, to buy. Places of peace which, in some cases, border on the sacred and mystical; places from fairy tales; a stage in a theater, where we are the unquestionable heroes of the story. These windows are made up of the objects housed in the shop, clear and transparent, shaped by the features of the label or naked before the excellence of their products. The same space shares the lime light with the objects on display, or on the contrary, remains quiet in the background leaving the communication solely to the labels design. In one way or another, the interior does not come alive until it is complete with our presence, both anonymous and necessary, before which the magnificence and desire of the red carpet is laid out. 
650 # 0 |a Architecture  |x Environmental aspects 
650 # 0 |a Sustainable architecture  |x History  |y 20th century 
700 0 # |e author 
856 4 0 |z Click Here to View Status and Holdings.  |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=345881 
964 # # |c BOK  |d 01