Movie music, the film reader
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| Format: | Book |
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London New York
Routledge
2003
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| Series: | In focus--Routledge film readers
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| Online Access: | Click Here to View Status and Holdings. |
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Table of Contents:
- Pt. 1. The meanings of the film score. The language of music : a brief analysis of Vertigo / Kathryn Kalinak
- Prejudices and bad habits / Theodor Adorno and Hans Eisler
- Why music? : the sound film and its spectator / Claudia Gorbman
- Reforming "jackass music" : the problematic aesthetics of early American film music accompaniment / Tim Anderson
- Pt. 2. The place of the song. Banking on film music : structural interactions of the film and record industries / Jeff Smith
- Cinema, postmodernity and authenticity / Lawrence Grossberg
- The silences of the palace and the anxiety of musical creation / Anastasia Valassopoulos
- Must you remember this? : orchestrating the "standard" pop song in Sleepless in Seattle / Ian Garwood
- Pt. 3. The formal politics of music on film. Whose jazz, whose cinema? / Krin Gabbard
- The animation of sound / Philip Brophy
- Pop, speed, teenagers and the "MTV aesthetic" / Kay Dickinson
- Pt. 4. Crossing over into the narrative. Gender, power, and a cucumber : satarizing masculinity in This is spinal tap / Carl Plantinga
- Manufacturing authenticity : imagining the music industry in Anglo-American cinema, 1956-62 / Keir Keightley
- A Madonna "wanna-be" story on film / Lisa Lewis
Listening to movies the film lover's guide to film music