World-wide Shakespeares local appropriations in film and performance
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London New York
Routledge
2005
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Table of Contents:
- Defining local Shakespeares / Sonia Massai
- A branch of the blue Nile : Derek Walcott and the Tropic of Shakespeare / Tobias D?ing
- Political Pericles / Suzanne Gossett
- Shylock as crypto-Jew : a new Mexican adaptation of The merchant of Venice / Elizabeth Klein and Michael Shapiro
- Negotiating intercultural spaces : Much ado about nothing and Romeo and Juliet on the Chinese stage / Ruru Li
- 'It is the bloody business which informs thus ... ' local politics and performative praxis : Macbeth in India / Poonam Trivedi
- Relocating and dislocating Shakespeare in Robert Sturua's Twelfth night and Alexander Morfov's The tempest / Boika Sokolova
- "I am not bound to please thee with my answers" : The merchant of Venice on the German stage / Sabine Sch?ting
- Katherina "humanized" : abusing the shrew on the Prague stage / Marcela Kostihov?-- Shooting the hero : the cinematic career of Henry V from Laurence Olivier to Philip Purser / Ton Hoensellars
- Lamentable tragedy or black comedy : Friedrich D?renmatt's adaptation of Titus Andronicus / Lukas Erne
- Subjection and redemption in Pasolini's Othello / Sonia Massai
- "Meaning by Shakespeare" south of the border / Alfredo Modenessi
- Dreams of England / Robert Shaughnessy
- The cultural logic of "correcting" The merchant of venice / Maria Jones
- Dancing with art : Robert Lepage's Hamlet / Margaret Jane Kidnie
- Hekepia? : the mana of the Maori merchant / Mark Houlahan
- The haiku Macbeth : Shakespearean antithetical minimalism in Kurosawa's Kumonosu-jo / Saviour Catania
- Adaptation/appropriation / Barbara Hodgdon
Shakespeare script, stage, screen