Grid Systems Principles of Organizing Type
Although grid systems are the foundation for almost all typographic design, they are often associated with rigid, formulaic solutions. However, the belief that all great design is nonetheless based on grid systems (even if only subverted ones) suggests that few designers truly understand the complex...
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Main Author: | |
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Format: | Book |
Language: | English |
Published: |
New York
Princeton Architectural Press
2004
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Series: | Design briefs
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Subjects: | |
Online Access: | Click Here to View Status and Holdings. |
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020 | # | # | |a 9781568984650 |q paperback |
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041 | 0 | # | |a eng |
090 | 0 | 0 | |a Z246 |b .E43 2004 |
100 | 1 | # | |a Elam, Kimberly |c 1951- |e author |
245 | 1 | 0 | |a Grid Systems |b Principles of Organizing Type |c Kimberly Elam |
264 | # | 1 | |a New York |b Princeton Architectural Press |c 2004 |
264 | # | 4 | |c ©2004 |
300 | # | # | |a 120 pages |b illustrations (some colour) |c 22 cm |
336 | # | # | |a text |2 rdacontent |
337 | # | # | |a unmediated |2 rdamedia |
338 | # | # | |a volume |2 rdacarrier |
490 | 1 | # | |a Design briefs |
504 | # | # | |a Includes bibliographical references (page 118) and index |
520 | # | # | |a Although grid systems are the foundation for almost all typographic design, they are often associated with rigid, formulaic solutions. However, the belief that all great design is nonetheless based on grid systems (even if only subverted ones) suggests that few designers truly understand the complexities and potential riches of grid composition. In her best-selling Geometry of Design, Elam shows how proportion, symmetry, and other geometrical systems underlie many of the visual relationships that make for good design. Now, Elam brings the same keen eye and clear explanations to bear on the most prevalent, and maybe least understood, system of visual organization: the grid. Filled with extensive research and more than 100 informative examples from the Bauhaus to Nike ads, Grid Systems provides a rich, easy-to-understand overview and demonstrates a step-by-step approach to typographic composition. It suggests design strategies that transcend simple function and reductionist recipes to allow grids to become a means of truly dynamic communication. Any designer, educator, or student will benefit greatly from this elegant slim book, chock-a-block full of colorful examples, helpful vellum overlays, and Elam's insightful analysis. |
526 | 0 | # | |a EAD417 |b AD241 |5 AD |
526 | 0 | # | |a Graphic Design and Layout |b Bachelor in Art and Design |5 Faculty of Art and Design |
650 | # | 0 | |a Graphic design (Typography) |
650 | # | 0 | |a Type and type-founding |
830 | # | 0 | |a Design briefs |
856 | 4 | 0 | |z Click Here to View Status and Holdings. |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=340940 |
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