The End of cinema as we know it American film in the nineties
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New York
New York University Pr
2001
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| Online Access: | Click Here to View Status and Holdings. |
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| LEADER | 00000n a2200000 a 4501 | ||
|---|---|---|---|
| 001 | wils-338360 | ||
| 020 | # | # | |a 0814751601 (alk. paper) |
| 020 | # | # | |a 081475161X (pbk. : alk. paper) |
| 090 | 0 | 0 | |a PN1993.5.U6 |b E53 2001 |
| 245 | 0 | 4 | |a The End of cinema as we know it |b American film in the nineties |c edited by Jon Lewis |
| 260 | # | # | |a New York |b New York University Pr |c 2001 |
| 300 | # | # | |a x, 38 |b i |c 24 cm |
| 504 | # | # | |a Includes bibliographical references and index |
| 505 | 0 | # | |a Machine generated contents note: I Movies, Money, and History -- I The Blockbuster: Everything Connects, but Not -- Everything Goes 11 -- Thomas Elsaesser -- 2 Those Who Disagree Can Kiss Jack Valenti's Ass 23 -- Jon Lewis -- 3 The Hollywood History Business 33 -- Jan-Christopher Horak -- 4 The Man Who Wanted to Go Back 43 -- Murray Pomerance -- II Things American (Sort Of) -- 5 "American" Cinema in the 1990s and Beyond: Whose -- Country's Filmmaking Is It Anyway? 53 -- Charlie Keil -- 6 Marketing Marginalized Cultures: The Wedding Banquet, -- Cultural Identities, and Independent Cinema of the 1990s 61 -- Justin Wyatt -- 7 Hollywood Redux: All about My Mother and Gladiator 72 -- Hilary Radner -- III Four Key Films -- 8 The Zen of Masculinity-Rituals of Heroism in The Matrix 83 -- Pat Mellencamp -- 9 Ikea Boy Fights Back: Fight Club, Consumerism, and the -- Political Limits of Nineties Cinema 95 -- Henry A. Giroux and Imre Szeman -- I 0 The Blair Witch Project, Macbeth, and the Indeterminate End 105 -- Eric S. Mallin -- I I Empire of the Gun: Steven Spielberg's Saving Private Ryan -- and American Chauvinism 115 -- Frank P.Tomasulo -- 12 Saving Private Ryan Too Late 131 -- Krin Gabbard -- IV Pictures and Politics -- 13 The Confusions of Warren Beatty 141 -- Dana Polan -- 14 Movie Star Presidents 150 -- Thomas Doherty -- 15 The Fantasy Image: Fixed and Moving 158 -- Maureen Turim -- 16 Men with Guns: The Story John Sayles Can't Tell 168 -- Ralph E. Rodriguez -- 17 The End of Chicano Cinema 175 -- Chon A. Noriega -- V The End of Masculinity As We Know It -- 18 Being Keanu 185 -- R. L. Rutsky -- 19 Woody Allen, "the Artist," and "the Little Girl" 195 -- David R. Shumway -- 20 Affliction: When Paranoid Male Narratives Fail 203 -- Marita Sturken -- 21 The Phallus UnFetished: The End of Masculinity As We -- Know It in Late-1990s "Feminist" Cinema 210 -- Alexandra Juhasz -- VI Bodies at Rest and in Motion -- 22 Bods and Monsters: The Return of the Bride of Frankenstein 225 -- ElizabethYoung -- 23 Having Their Cake and Eating It Too: Fat Acceptance -- Films and the Production of Meaning 237 -- Jerry Mosher -- VII Independents -- 24 A Rant 253 -- James Schamus -- 25 The Case of Harmony Korine 261 -- Robert Sklar -- 26 Where Hollywood Fears to Tread: Autobiography and -- the Limits of Commercial Cinema 269 -- Kathleen McHugh -- 27 Smoke 'til You're Blue in the Face 277 -- Murray Smith -- VIII Not Films Exactly -- 28 Pamela Anderson on the Slippery Slope 287 -- Chuck Kleinhans -- 29 King Rodney: The Rodney King Video and Textual Analysis 300 -- Hamid Naficy -- 30 Live Video 305 -- Laura U. Marks -- IX Endgames -- 31 End of Story: The Collapse of Myth in Postmoder -- Narrative Film 319 -- Christopher Sharrett -- 32 Waiting for the End of the World: Christian Apocalyptic -- Media at the Turn of the Millennium 332 -- Heather Hendershot -- 33 The Four Last Things: History, Technology, Hollywood, -- Apocalypse 342 -- Paul Arthur -- 34 Twenty-five Reasons Why It's All Over 356 -- Wheeler Winston Dixon |
| 650 | # | 0 | |a Motion picture industry |x History |z United States |
| 650 | # | 0 | |a Motion pictures |x History |z United States |
| 700 | 1 | # | |a Lewis, Jon |f 1955- |
| 856 | 4 | 0 | |z Click Here to View Status and Holdings. |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=338360 |
| 964 | # | # | |c BOK |d 01 |
| 040 | # | # | |a Shah Alam |
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The end of cinema as we know it American film in the Nineties