Reinventing film studies
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London New York
Arnold Co-published in the United States of America by Oxford University Press
2000
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Table of Contents:
- How films mean, or, from aesthetics to semiotics and half-way back again / Geoffrey Nowell-Smith
- Why theory? / Gill Brannston
- Film theory and the revolt against master narratives / Bill Nichols
- Case study : interpreting Singin' in the rain / Steven Cohan
- Who (and what) is it for? / Tessa Perkins
- Dream/Factory / Jane M. Gaines
- The publicness of cinema / James Donald and Stephanie Hemelryk Donald
- The politics of cultural address in a 'transitional' cinema : a case study of Indian polular cinema / Ravi S. Vasudevan
- Reception theory and audience research : the mystery of the vampire's kiss / Henry Jenkins
- Re-examing stardom : questions of texts, bodies and performance / Christine Geraghty
- After the classic, the classical and ideology : the differences of realism / Christopher Williams
- Rethinking genre / Christine Gledhill
- Judging audinces : the case of the trial movie / Carol J. Clover
- Introducing film evaluation / Noèel Carroll
- 'Style', posture and idiom : Tarantino's figures of masculinity / Sharon Willis
- What is film history?, or, the riddle of the sphinxes / Vivian sobchack
- 'Animated pictures': tales of cinema's forgotten future, after 100 years of films / Tom Gunning
- The mass production of the senses : classical cinema as vernacular modernism / Miriam Bratu Hansen
- Discipline and fun : Psycho and postmodern cinema / Linda Williams
- Film theory and spectatorship in the age of the 'posts' / Robert Stam and Ella Habiba Shohat
- Digging an old well : the labor of social fantasy in a contemporary Chinese film / Rey Chow
- Facing up to Hollywood / Ana M. Lâopez
- The end of cinema : multimedia and technological change / Anne Friedberg
Film studies