Hitchcock past and future

This new collection of writings on Alfred Hitchcock considers Hitchcock both in his time and as a continuing influence on filmmakers, films and film theory. The contributions, who include leading scholars such as Slavoj Zizek, Laura Mulvey, Peter Wollen, and James Naremore, discuss canonical films s...

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Bibliographic Details
Other Authors: Allen, Richard William 1959-, Ishii-Gonzales, Sam Ishii-Gonzales
Format: Unknown
Published: London Routledge 2004
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Online Access:Click Here to View Status and Holdings.
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245 0 0 |a Hitchcock  |b past and future  |c edited by Richard William Allen and Sam Ishii-Gonzales 
260 # # |a London  |b Routledge  |c 2004 
300 # # |a xix, 284 p.  |b ill.  |c 25 cm 
504 # # |a Includes bibliographical references (p. 274) and index 
520 # # |a This new collection of writings on Alfred Hitchcock considers Hitchcock both in his time and as a continuing influence on filmmakers, films and film theory. The contributions, who include leading scholars such as Slavoj Zizek, Laura Mulvey, Peter Wollen, and James Naremore, discuss canonical films such as Notorious and The Birds alongside lesser-known works including Juno and the Paycock and Frenzy. Articles are grouped into four thematic sections: 'Authorship and Aesthetics' examines Hitchcock as auteur and investigates central topics in Hitchcockian aesthetics. 'French Hitchcock' looks at Hitchcock's influence on filmmakers such as Chabrol, Truffaut and Rohmer, and how film critics such as Bazin and Deleuze have engaged with Hitchcock's work. 'Poetics and Politics of Identity' explores the representation of personal and political in Hitchcock's work. The final section, 'Death and Transfiguration' addresses the manner in which the spectacle and figuration of death haunts the narrative universe of Hitchcock's films, in particular his subversive masterpiece Psycho. 
600 1 0 |a Hitchcock, Alfred  |d 1899-  |x Criticism and interpretation 
700 1 # |a Allen, Richard William  |d 1959- 
700 # # |a Ishii-Gonzales, Sam Ishii-Gonzales 
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