The twentieth century performance reader

The Twentieth Century Performance Reader is the key introductory text to all types of performance. Extracts from fifty practitioners, critics and theorists from the fields of dance, drama, music, theatre and live art make up an essential sourcebook for students, researchers and practitioners. A best...

Full description

Saved in:
Bibliographic Details
Other Authors: Huxley, Michael 1949-, Witts, Noel 1937-
Format: Unknown
Language:English
Published: London New York Routledge 2002
Edition:Second edition
Subjects:
Online Access:Click Here to View Status and Holdings.
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000n a2200000 a 4501
001 wils-295643
005 2021022111056
008 t2002 -UK #g| |#001 #deng#D
020 # # |a 9780415252867  |q hardback 
040 # # |e rda 
041 0 # |a eng 
090 0 0 |a PN1584  |b .T84 2002 
245 1 1 |a The twentieth century performance reader  |c Michael Huxley and Noel Witts 
250 # # |a Second edition 
264 # 1 |a London  |a New York  |b Routledge  |c 2002 
300 # # |a xxii, 465 pages  |c 24 cm 
336 # # |a text  |2 rdacontent 
337 # # |a unmediated  |2 rdamedia 
338 # # |a volume  |2 rdacarrier 
504 # # |a Includes bibliographical references and index 
520 # # |a The Twentieth Century Performance Reader is the key introductory text to all types of performance. Extracts from fifty practitioners, critics and theorists from the fields of dance, drama, music, theatre and live art make up an essential sourcebook for students, researchers and practitioners. A bestseller since its publication in 1996, this second edition has been fully updated and includes: * New writings by practitioners and theorists * Notes about each writer * A completely new introduction. Each extract is fully supplemented by a contextual summary, a biography of the writer, and suggestions for further reading. Organised alphabetically, this reader makes it possible to compare major writings on all types of performance in one volume. The ways in which different performance practitioners' ideas inter-relate are pointed out in a series of detailed cross-references for readers. In so doing it becomes clear that one of the key features of twenty first century performance is its boundlessness and its capacity to cross borders. All who enjoy or work with live innovative performance will find this book invaluable. 
650 # 0 |a Performing arts 
700 1 # |a Huxley, Michael  |c 1949- 
700 # # |a Witts, Noel  |c 1937- 
856 4 0 |z Click Here to View Status and Holdings.  |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=295643 
964 # # |c BOK  |d 01 
040 # # |a Shah Alam 
998 # # |a 00250##a002.5.2||00250##b002.5.3||00264#1a002.8.2||00264#1a002.8.2||00264#1b002.8.4||00300##a003.4.1||00300##b003.6.1||00300##c003.5.1||00520##a007.2||00520##b007.2||01700##a0011.2.2||01700##c0017.8||