Art and the performance of memory sounds and gestures of recollection
This book investigates the role that the visual and performing arts play in our experience and understanding of the past. Expanding upon longstanding concerns in cultural history about the relation of text and image, the book highlights the distinction between enactive and cognitive memory and the i...
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| Other Authors: | |
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| Format: | Book |
| Language: | English |
| Published: |
London
Routledge
2002
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| Series: | Routledge studies in memory and narrative
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| Subjects: | |
| Online Access: | Click Here to View Status and Holdings. |
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| 008 | t2002 -UK ag| |#001 #deng#D | ||
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| 041 | 0 | # | |a eng |
| 090 | 0 | 0 | |a N72.S6 |b A78 2002 |
| 245 | 0 | 0 | |a Art and the performance of memory |b sounds and gestures of recollection |c edited by Richard Candida Smith,Candida Smith |
| 264 | # | 1 | |a London |b Routledge |c 2002 |
| 300 | # | # | |a xiv, 290 pages |b illustration |c 24 cm |
| 336 | # | # | |a text |2 rdacontent |
| 337 | # | # | |a unmediated |2 rdamedia |
| 338 | # | # | |a volume |2 rdacarrier |
| 490 | 1 | # | |a Routledge studies in memory and narrative |
| 504 | # | # | |a Includes bibliographical references and index |
| 520 | # | # | |a This book investigates the role that the visual and performing arts play in our experience and understanding of the past. Expanding upon longstanding concerns in cultural history about the relation of text and image, the book highlights the distinction between enactive and cognitive memory and the implications of this for artists and their publics. |
| 650 | # | 0 | |a Arts |
| 650 | # | 0 | |a Art and society |
| 650 | # | 0 | |a Performing arts |
| 650 | # | 0 | |a Art and history |
| 650 | # | 0 | |a Memory in art |
| 700 | 1 | # | |a Smith, Richard Candida |
| 856 | 4 | 0 | |z Click Here to View Status and Holdings. |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=283301 |
| 964 | # | # | |c BOK |d 01 |
| 040 | # | # | |a Shah Alam |
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The social history of art