Clean new world culture, politics, and graphic design
Our culture is dominated by the visual. Yet most writing on design reflects a narrow preoccupation with products, biographies, and design influences. Maud Lavin approaches design from the broader field of visual culture criticism, asking challenging questions about about who really has a voice in th...
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Format: | Book |
Language: | English |
Published: |
Massachusetts
The MITPress
2001
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Subjects: | |
Online Access: | Click Here to View Status and Holdings. |
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100 | 1 | # | |a Lavin, Maud |e author |
245 | 1 | 1 | |a Clean new world |b culture, politics, and graphic design |c Maud Lavin |
264 | # | 1 | |a Massachusetts |b The MITPress |c 2001 |
300 | # | # | |a xv, 201 pages |b illustrations |c 24 cm |
336 | # | # | |a text |2 rdacontent |
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338 | # | # | |a volume |2 rdacarrier |
504 | # | # | |a Includes bibliographical references and index |
520 | # | # | |a Our culture is dominated by the visual. Yet most writing on design reflects a narrow preoccupation with products, biographies, and design influences. Maud Lavin approaches design from the broader field of visual culture criticism, asking challenging questions about about who really has a voice in the culture and what unseen influences affect the look of things designers produce. Lavin shows how design fits into larger questions of power, democracy, and communication. Many corporate clients instruct designers to convey order and clarity in order to give their companies the look of a clean new world. But since designers cannot clean up messy reality, Lavin shows, they often end up simply veiling it. |
650 | # | 0 | |a Commercial art |
650 | # | 0 | |a Graphic arts |x Social aspects |
650 | # | 0 | |a Graphic arts |x Political aspects |
856 | 4 | 0 | |z Click Here to View Status and Holdings. |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=279168 |
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