Remediation understanding new media
Media critics remain captivated by the modernist myth of the new: they assume that digital technologies such as the World Wide Web, virtual reality, and computer graphics must divorce themselves from earlier media for a new set of aesthetic and cultural principles. In this richly illustrated study,...
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| Format: | Book |
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Massachusetts
The MIT Press
2000; [reprinted 2002]
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| Online Access: | Click Here to View Status and Holdings. |
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Add Tag | Summary: | Media critics remain captivated by the modernist myth of the new: they assume that digital technologies such as the World Wide Web, virtual reality, and computer graphics must divorce themselves from earlier media for a new set of aesthetic and cultural principles. In this richly illustrated study, Jay David Bolter and Richard Grusin offer a theory of mediation for our digital age that challenges this assumption. They argue that new visual media achieve their cultural significance precisely by paying homage to, rivaling, and refashioning such earlier media as perspective painting, photography, film, and television. They call this process of refashioning "remediation," and they note that earlier media have also refashioned one another: photography remediated painting, film remediated stage production and photography, and television remediated film, vaudeville, and radio. |
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| Physical Description: | xi, 295 p. ill. 24 cm |
| Bibliography: | Includes bibliographical references and index |
| ISBN: | 0262522799 9780262522793 |
The language of new media