Directors close up interviews with directors nominated for outstanding directorial achivement in a feature film by Directors Guild of America
The structure of each of these discussions followed the stages of filmmaking that the director supervises, concentrating on creative and pragmatic issues: script development, pre-production, production, and post-production. A short chapter follows, where each director touches on what they feel to be...
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| Format: | Book |
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Boston
Focal Press
2000
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| Online Access: | Click Here to View Status and Holdings. |
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| 020 | # | # | |a 0240804066 |
| 090 | 0 | 0 | |a PN1995.9.P7 |b D543 2000 |
| 245 | 1 | 1 | |a Directors close up |b interviews with directors nominated for outstanding directorial achivement in a feature film by Directors Guild of America |c moderated and edited by Jeremy Kagan |
| 260 | # | # | |a Boston |b Focal Press |c 2000 |
| 300 | # | # | |a ix, 253 p. |b ill. |c 24 cm |
| 520 | # | # | |a The structure of each of these discussions followed the stages of filmmaking that the director supervises, concentrating on creative and pragmatic issues: script development, pre-production, production, and post-production. A short chapter follows, where each director touches on what they feel to be the best and worst part of being a director. Finally, the book concludes with a lecture given by Elia Kazan on "What Makes a Director," which he gave at Wesleyan University in 1973. It remains one of the most elegant declarations of the characteristics of all directors. |
| 650 | # | 0 | |a Motion picture producers and directors |x Interviews |z United States |
| 650 | # | 0 | |a Motion picture |x Production and direction |
| 700 | 1 | # | |a Kagan, Jeremy Paul |
| 856 | 4 | 0 | |z Click Here to View Status and Holdings. |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=213887 |
| 964 | # | # | |c BOK |d 01 |
| 040 | # | # | |a Shah Alam |
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A cut above 50 film directors talk about their craft