Inside the visible an elliptical traverse of 20th century art in, of, and from the feminine
Structured in terms of recurrent cycles over time, Inside the Visible focuses on three periods (the 1930s and 1940s, the 1960s and 1970s, and the 1990s) that anticipated a wave of political repression, nationalism, and xenophopia, often stimulating artistic production that redefined practice. Illust...
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Format: | Book |
Language: | English |
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Cambridge, Mass.
The MIT Press
1996
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Online Access: | Click Here to View Status and Holdings. |
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005 | 2021115204343 | ||
008 | t1996 MAU ag| |#001 ##eng#D | ||
020 | # | # | |a 0262540819 |q paperback |
020 | # | # | |a 9780262540810 |q paperback |
040 | # | # | |b eng |d UiTM |e rda |
041 | 0 | # | |a eng |
090 | 0 | 0 | |a N8354 |b .I58 1996 |
245 | 1 | 1 | |a Inside the visible |b an elliptical traverse of 20th century art in, of, and from the feminine |c curated and edited by M. Catherine de Zegher |
264 | # | 1 | |a Cambridge, Mass. |b The MIT Press |c 1996 |
300 | # | # | |a 495 pages |b illustrations (some colour) |c 28 cm |
336 | # | # | |a text |b damedia |2 rdacontent |
337 | # | # | |b rdacarrier |2 unmediated |
338 | # | # | |2 volume |
500 | # | # | |a "The Institute of Contemporary Art, Boston; The Kalaan Art Foundation, Kortrijk, Flanders."# |a Catalog of an exhibition held at the Institute of Contemporary Art, Boston, Jan. 30-May 12, 1996 |
504 | # | # | |a Includes bibliographical references (p. 483-486) and index |
520 | # | # | |a Structured in terms of recurrent cycles over time, Inside the Visible focuses on three periods (the 1930s and 1940s, the 1960s and 1970s, and the 1990s) that anticipated a wave of political repression, nationalism, and xenophopia, often stimulating artistic production that redefined practice. Illustrated essays document each artist in the collection. In addition, four general essays trace the connections among the artists. These take up such issues as why artistic recognition eluded certain artists and why their work is only just becoming visible today. They also address overlapping themes such as gender and sexuality; the intersection of racial, class, ethnic, sexual, and regional identities; and the nature of the relationship between work and viewer. |
650 | # | 0 | |a Women artists |x Exhibitions |
650 | # | 0 | |a Art, Modern |x Exhibitions |y 20th century |
700 | 1 | # | |a Zegher, M. Catherine de |e author |
710 | 1 | # | |a Institute of Contemporary Art (Boston, Mass.) |
856 | 4 | 0 | |z Click Here to View Status and Holdings. |u https://opac.uitm.edu.my/opac/detailsPage/detailsHome.jsp?tid=167647 |
964 | # | # | |c BOK |d 01 |
040 | # | # | |a Shah Alam |
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